| year of publication | ISBN | author(s) | title |
|---|
| 1969 | 978-0-7145-0034-8 | Samuel Beckett | Proust: And Three Dialogues with Georges Duthuit (Calderbooks) |
| '' | 978-0-7145-0042-3 | Samuel Beckett | Murphy (Calder modern classics) |
| 1967 | 978-0-7145-0044-7 | Eugene Ionesco | Notes and Counter Notes (Calderbooks) |
| 1972 | 978-0-7145-0056-0 | Ann Quin | Passages |
| 1965 | 978-0-7145-0124-6 | Heinrich Böll | Billiards at Half Past Nine |
| '' | 978-0-7145-0168-0 | Heinrich Boll | The Clown |
| 1970 | 978-0-7145-0170-3 | Antonin Artaud | Antonin Artaud: Collected Works (Volume 1) |
| 1967 | 978-0-7145-0256-4 | Robert Creeley | Gold Diggers |
| 1990 | 978-0-7145-0265-6 | Gottfried Keller | Green Henry (Calderbooks) |
| 1981 | 978-0-7145-0267-0 | Stanley Sadie | Handel (Calderbooks) |
| 1964 | 978-0-7145-0277-9 | Samuel Beckett | How it is |
| 2001 | 978-0-7145-0289-2 | Raymond Roussel | Impressions of Africa (Calderbooks) |
| 1970 | 978-0-7145-0298-4 | Alain Robbe-Grillet | In the Labyrinth (Calderbooks) |
| 2005 | 978-0-7145-0301-1 | Peter Weiss | The Investigation: Oratorio in Eleven Cantos |
| 1995 | 978-0-7145-0311-0 | Alain Robbe-Grillet | Jealousy (Jupiter Books) |
| 1976 | 978-0-7145-0346-2 | Georges Bataille | Literature and Evil |
| 1969 | 978-0-7145-0361-5 | Peter Weiss | Marat/Sade |
| 1972 | 978-0-7145-0381-3 | Marguerite Duras | Moderato Cantabile (Calderbooks) |
| 1960 | 978-0-7145-0456-8 | Eugene Ionesco | Plays Volume One: The Lesson / The Chairs / The Bald Prima Donna / Jacques or Obedience |
| 1961 | 978-0-7145-0458-2 | '' | Plays: v. 2 (Calderbooks) |
| 1966 | 978-0-7145-0466-7 | '' | Plays: v. 6 (Calderbooks) |
| 1971 | 978-0-7145-0490-2 | Claude Samuel | Prokofiev |
| 1973 | 978-0-7145-0521-3 | H.F. Garten · J.M. Ritchie | Seven Expressionist Plays: Kokoschka to Barlach (Calderbooks) |
| 1968 | 978-0-7145-0526-8 | John Cage | Silence |
| 1970 | 978-0-7145-0610-4 | Samuel Beckett | Watt |
| '' | 978-0-7145-0640-1 | Colin Wilson | Strindberg (Playscripts S.) |
| '' | 978-0-7145-0658-6 | Pauline Kael | Kiss Kiss Bang Bang |
| 1972 | 978-0-7145-0705-7 | Samuel Beckett | More Pricks Than Kicks (Calderbooks) |
| 1970 | 978-0-7145-0708-8 | Felicien Marceau | Creezy |
| 1983 | 978-0-7145-0734-7 | Raymond Roussel | Locus Solus (French surrealism) |
| 1971 | 978-0-7145-0746-0 | Gay Talese | The Kingdom and the Power: History of the "New York Times" |
| 1970 | 978-0-7145-0763-7 | Anthony Shaffer | Sleuth (Playscripts) |
| 1974 | 978-0-7145-0773-6 | James Robertson | Profit or People?: New Social Role of Money (Open Forum) |
| 1974 | 978-0-7145-0779-8 | Antonin Artaud | Antonin Artaud: Collected Works (Volume 3) |
| 1971 | 978-0-7145-0807-8 | Manfred Von Conta | The Deathbringer |
| '' | 978-0-7145-0837-5 | Ivan Illich | Celebration of Awareness ([Open forum]) |
| 1973 | 978-0-7145-0868-9 | Frank Wedekind | The Lulu Plays: And Other Sex Tragedies v. 1 (German Expressionism) |
| 1962 | 978-0-7145-0871-9 | Ken Kesey | One Flew Over the Cuckoo's Nest |
| 1995 | 978-0-7145-0879-5 | Ivan Illich | Deschooling Society (Open Forum) |
| 1972 | 978-0-7145-0880-1 | Trevor Griffiths | Occupations (Playscripts S) |
| '' | 978-0-7145-0881-8 | Trevor Griffiths | Occupations (Playscripts S.) |
| '' | 978-0-7145-0882-5 | Mustapha Matura | As Time Goes by (Playscripts) |
| '' | 978-0-7145-0883-2 | '' | As Time Goes by (Playscripts) |
| 2000 | 978-0-7145-0941-9 | Pauline Kael | Deeper into Movies. The essential Kael collection: from '69 to '72 |
| 1972 | 978-0-7145-0952-5 | Samuel Beckett | How it is (Calderbooks) |
| 1973 | 978-0-7145-0961-7 | John C. Lilly | The Centre of the Cyclone: An Autobiography of Inner Space (Open forum) |
| 1974 | 978-0-7145-0985-3 | Samuel Beckett | Texts for Nothing (Signature) |
| 1973 | 978-0-7145-1006-4 | Tim O'Brien | If I Die in a Combat Zone |
| 1973 | 978-0-7145-1043-9 | John Cage | Silence: Lectures and Writings |
| '' | 978-0-7145-1053-8 | Samuel Beckett | Trilogy: "Molloy", "Malone Dies", "Unnameable" (Calderbooks) |
| 1975 | 978-0-7145-1082-8 | Igor Stravinsky | An Autobiography (1903-1934) |
| '' | 978-0-7145-1095-8 | Ivan Illich | Medical Nemesis: The Expropriation of Health (Open Forum S.) |
| 1974 | 978-0-7145-1096-5 | '' | Medical Nemesis: The Expropriation of Health (Open Forum/Ideas in Progress Series) |
| 1977 | 978-0-7145-1126-9 | E.J. Burford | The Orrible Synne: Look at London Lechery from Roman to Cromwellian Times |
| 1976 | 978-0-7145-1135-1 | John Cage | M: Writings, 1967-72 |
| 1977 | 978-0-7145-1139-9 | Samuel Beckett | Mercier and Camier (Calderbooks) |
| 1976 | 978-0-7145-2500-6 | Gottfried Benn | Primal Vision: Selected Writings |
| '' | 978-0-7145-2502-0 | Julio Cortazar | 62: A Model Kit |
| 2005 | 978-0-7145-2510-5 | Ivan Illich · etc. | Disabling Professions (Open Forum) |
| 1976 | 978-0-7145-2516-7 | Jeremy Sandford | Cathy Come Home (Open Forum) |
| 1994 | 978-0-7145-2520-4 | Julio Cortazar | Cronopios and Famas |
| 1976 | 978-0-7145-2551-8 | Philippe Aries | Western Attitudes Towards Death: From the Middle Ages to the Present |
| '' | 978-0-7145-2554-9 | James Robertson | Power, Money and Sex (Open Forum) |
| 1976 | 978-0-7145-2569-3 | John F.C. Turner | Housing by People (Open Forum) |
| 1978 | 978-0-7145-2571-6 | Helene Parmelin | Art Anti-art: Anartism Explored (Signature) |
| 1982 | 978-0-7145-2580-8 | Elias Canetti | The Voices of Marrakesh |
| 1977 | 978-0-7145-2582-2 | Pauline Kael | Reeling |
| '' | 978-0-7145-2589-1 | Helmut Heissenbuttel · Michael Hamburger | Texts |
| 1978 | 978-0-7145-2590-7 | Helmut Heissenbuttel | Texts |
| '' | 978-0-7145-2599-0 | Hubert Selby Jr. | The Demon: A Novel |
| '' | 978-0-7145-2615-7 | Judith Williamson | Decoding Advertisements: Ideology and Meaning in Advertising (Open Forum) |
| '' | 978-0-7145-2628-7 | Ivan Illich | Right to Useful Unemployment (Open Forum) |
| 1978 | 978-0-7145-2651-5 | Charles Marowitz | Marowitz Shakespeare |
| '' | 978-0-7145-2657-7 | Robert Creeley | Hello: A Journal |
| 1979 | 978-0-7145-2663-8 | Ivan Illich | The Right to Useful Unemployment (Open Forum) |
| 1981 | 978-0-7145-2690-4 | John Cage | For the Birds: John Cage in Conversation with Daniel Charles |
| '' | 978-0-7145-2706-2 | Robin Maconie | Stockhausen |
| '' | 978-0-7145-2710-9 | Ivan Illich | Shadow Work (Open forum) |
| 1981 | 978-0-7145-2711-6 | Ivan Illich | Shadow Work |
| 1982 | 978-0-7145-2738-3 | Witold Gombrowicz | Possessed (Possessed Ppr) |
| '' | 978-0-7145-2739-0 | Pierre Klossowski | Roberte Ce Soir |
| 1984 | 978-0-7145-2750-5 | John L. McKnight | Mask of Love: Professional Care in the Service Economy |
| 1981 | 978-0-7145-2752-9 | Rafael Martinez Nadal | Lorca's "The Public" |
| 1983 | 978-0-7145-2765-9 | Kenneth Gangemi | The Interceptor Pilot |
| 1982 | 978-0-7145-2768-0 | Gabriel Faure | Gabriel Faure: His Life Through His Letters |
| 1980 | 978-0-7145-2771-0 | Gwynne Edwards | Lorca: The Theatre Beneath the Sand |
| 1985 | 978-0-7145-2829-8 | Luciano Berio | Two Interviews |
| '' | 978-0-7145-2832-8 | Gwynne Edwards | The Discreet Art of Luis Bunuel: A Reading of His Films |
| 1986 | 978-0-7145-2840-3 | Hubert Selby Jr. | Song of the Silent Snow |
| '' | 978-0-7145-2841-0 | Pauline Kael | Taking It All in |
| '' | 978-0-7145-2847-2 | Nicole Ward Jouve | The Streetcleaner: Yorkshire Ripper Case on Trial |
| 1988 | 978-0-7145-2848-9 | Georges Bataille | Abbe C., L' |
| 1986 | 978-0-7145-2850-2 | '' | Blue of Noon |
| 1988 | 978-0-7145-2851-9 | Judith Williamson | Consuming Passions: The Dynamics of Popular Culture |
| 1986 | 978-0-7145-2854-0 | Ivan Illich | H2O and the Waters of Forgetfulness (Open Forum) |
| 1987 | 978-0-7145-2869-4 | Pauline Kael | State of the Art |
| 1987 | 978-0-7145-2872-4 | Georges Bataille | Eroticism |
| 1989 | 978-0-7145-2880-9 | Jean-Phillippe Toussaint | The Bathroom |
| 1988 | 978-0-7145-2883-0 | Renate Rubinstein | Take It and Leave It: Aspects of Being Ill |
| '' | 978-0-7145-2884-7 | Nicole Ward Jouve | The Streetcleaner: Yorkshire Ripper Case on Trial |
| '' | 978-0-7145-2887-8 | Karlheinz Stockhausen | Stockhausen on Music |
| '' | 978-0-7145-2891-5 | Ivan Illich · Barry Sanders | A. B. C. - Alphabetization of the Popular Mind [ ABC ] |
| 1989 | 978-0-7145-2896-0 | Yevgeny Aleksandrovich Yevtushenko | Early Poems |
| 1990 | 978-0-7145-2903-5 | Pauline Kael | Hooked: Film Writings, 1985-88 |
| 1991 | 978-0-7145-2914-1 | '' | State of the Art: Film Writings, 1983-85 |
| 1997 | 978-0-7145-2917-2 | Fritz Spiegl | Lives, Wives and Loves of the Great Composers |
| 1991 | 978-0-7145-2918-9 | Karlheinz Stockhausen | Stockhausen on Music |
| '' | 978-0-7145-2920-2 | Stephen Koch | Stargazer: Life, World and Films of Andy Warhol |
| 1992 | 978-0-7145-2931-8 | Merce Cunningham · Jacqueline Lesschaeve | The Dancer and the Dance |
| 1992 | 978-0-7145-2937-0 | Ivan Illich | In the Mirror of the Past: Lectures and Addresses, 1978-90 |
| 1993 | 978-0-7145-2950-9 | Christopher Palmer | The Composer in Hollywood |
| '' | 978-0-7145-2952-3 | Katia Spiegelman | Peculiar Politics: A Romantic Comedy |
| 2006 | 978-0-7145-2958-5 | Henri-Pierre Roche | Jules Et Jim |
| 1993 | 978-0-7145-2961-5 | Edvard Grieg · Frederick Delius | Grieg and Delius: A Chronicle of Their Friendship in Letters |
| 1994 | 978-0-7145-2967-7 | Sue Roe · Susan Sellers · Nicole Ward Jouve · Michele Roberts | The Semi-transparent Envelope: Women Writing - Feminism and Fiction |
| '' | 978-0-7145-2974-5 | Jean Cocteau | The Art of Cinema |
| '' | 978-0-7145-2975-2 | Pauline Kael | I Lost it at the Movies: Film Writings, 1954-65 |
| '' | 978-0-7145-2976-9 | '' | Going Steady: Film Writings, 1968-69 |
| 1994 | 978-0-7145-2977-6 | Peter Du Preez | Genocide: Psychology of Mass Murder (Briefings) |
| '' | 978-0-7145-2980-6 | Erik Satie | Satie: Seen Through His Letters |
| '' | 978-0-7145-2982-0 | Ninian Smart | Choosing a Faith (Briefings) |
| '' | 978-0-7145-2984-4 | Gwynne Edwards | Indecent Exposures: Bunuel to Almodovar |
| 1995 | 978-0-7145-2989-9 | Margit Kaffka | The Ant Heap |
| '' | 978-0-7145-2993-6 | Ivan Illich | Limits to Medicine: Medical Nemesis - The Expropriation of Health |
| 1995 | 978-0-7145-2997-4 | Kenzaburo Oe | Nip the Buds, Shoot the Kids |
| '' | 978-0-7145-2998-1 | Jean-Noel Liaut | Cover Girls and Supermodels, 1945-65 |
| 1998 | 978-0-7145-3003-1 | Stephen Rebello | Alfred Hitchcock and the Making of "Psycho" |
| 2000 | 978-0-7145-3004-8 | Georges Bataille | My Mother |
| 1996 | 978-0-7145-3005-5 | Imamu Amiri Baraka · LeRoi Jones | Four Black Revolutionary Plays |
| 1997 | 978-0-7145-3023-9 | Roy A.K. Heath | Kwaku, Or, the Man Who Could Not Keep His Mouth Shut |
| 1998 | 978-0-7145-3024-6 | Hubert Selby Jr. | The Willow Tree |
| 1997 | 978-0-7145-3031-4 | B. Wongar | Raki: A Novel |
| 2002 | 978-0-7145-3038-3 | Hubert Selby Jr | The Room |
| 2000 | 978-0-7145-3048-2 | Kenzaburo Oe | Teach Us to Outgrow Our Madness: Four Short Novels |
| '' | 978-0-7145-3050-5 | Hubert Selby Jr. | Song of the Silent Snow |
| 2001 | 978-0-7145-3054-3 | Latife Tekin | Dear Shameless Death |
| '' | 978-0-7145-3061-1 | Hjalmar Soderberg | The Serious Game |
| '' | 978-0-7145-3066-6 | Claus Schreiner | Musica Brasileira: A History of Popular Music and the People of Brazil |
| 2002 | 978-0-7145-3068-0 | Toby Litt | Corpsing |
| 2002 | 978-0-7145-3071-0 | Hubert Selby Jr. | Waiting Period |
| '' | 978-0-7145-3072-7 | Hong Ying | K: The Art of Love |
| 2006 | 978-0-7145-3073-4 | Georges Bataille | Blue of Noon |
| 2002 | 978-0-7145-3075-8 | Diane Di Prima | Memoirs of a Beatnik |
| '' | 978-0-7145-3083-3 | Toby Litt | Beatniks |
| 2003 | 978-0-7145-3087-1 | Hubert Selby Jr. | Requiem for a Dream |
| '' | 978-0-7145-3090-1 | '' | Waiting Period |
| '' | 978-0-7145-3091-8 | Tina Hobin | Belly Dance: the Dance of Mother Earth |
| 2003 | 978-0-7145-3092-5 | Thierry Paquot | The Art of the Siesta |
| '' | 978-0-7145-3095-6 | Shel Silverstein | Where the Sidewalk Ends |
| '' | 978-0-7145-3096-3 | Shel Silverstein | A Light in the Attic |
| 2004 | 978-0-7145-3101-4 | Elif Shafak | The Flea Palace |
| 2005 | 978-0-7145-3105-2 | Amy Spencer | DIY: The Rise of Lo-Fi Culture |
| 2004 | 978-0-7145-3107-6 | Samuel Charters | Walking a Blues Road |
| '' | 978-0-7145-3109-0 | Philippe Brenot | In Praise of Masturbation |
| 2005 | 978-0-7145-3110-6 | Dimitri Verhulst | Problemski Hotel |
| '' | 978-0-7145-3111-3 | Arthur Nersesian | Chinese Takeout |
| 2005 | 978-0-7145-3112-0 | Raymond Cook | The China Years 1925-1952: The Life and Letters of the Rev and Mrs Clifford V. Cook |
| 2006 | 978-0-7145-3115-1 | Lawrence Potter | Mathematics Minus Fear |
| 2005 | 978-0-7145-3116-8 | Edwin Page | Quintessential Tarantino |
| '' | 978-0-7145-3118-2 | Riverbend | Baghdad Burning: Girl Blog from Iraq |
| '' | 978-0-7145-3119-9 | Hong Ying | Peacock Cries |
| '' | 978-0-7145-3120-5 | Elif Shafak | The Flea Palace |
| 2006 | 978-0-7145-3121-2 | Elif Shafak | The Gaze |
| '' | 978-0-7145-3122-9 | Vangelis Hatziyannidis · Anne-Marie Stanton-Ife (translator) | Four Walls |
| 2007 | 978-0-7145-3126-7 | Vangelis Hatziyannidis | Stolen Time |
| 2006 | 978-0-7145-3128-1 | Amy Spencer | The Crafter Culture Handbook |
| 2007 | 978-0-7145-3129-8 | Hubert Selby Jr. | Last Exit to Brooklyn |
| 2006 | 978-0-7145-3130-4 | Riverbend | Baghdad Burning: Girl Blog from Iraq |
| '' | 978-0-7145-3131-1 | Samuel Charters | New Orleans: Playing a Jazz Chorus |
| '' | 978-0-7145-3132-8 | Edwin Page | Gothic Fantasy: The Films of Tim Burton |
| '' | 978-0-7145-3133-5 | Riverbend | Baghdad Burning Volume 2 |
| 2007 | 978-0-7145-3136-6 | Shahrnush Parsipur | Touba and the Meaning of Night |
| 2007 | 978-0-7145-3137-3 | Lawrence Potter | This May Help You Understand the World: A Timely Book for Those Confused by the Problems of a Troubled World |
| '' | 978-0-7145-3139-7 | Hubert Selby Jr | The Willow Tree |
| '' | 978-0-7145-3140-3 | Clotilde Dusoulier | Chocolate and Zucchini |
| '' | 978-0-7145-3141-0 | Maureen Freely | Enlightenment |
| '' | 978-0-7145-3142-7 | Rhidian Brook | More Than Eyes Can See: A Nine Month Journey into the Aids Pandemic |
| 2008 | 978-0-7145-3150-2 | Hong Ying | The Concubine of Shanghai |
| 2009 | 978-0-7145-3154-0 | Luis Leante | See How Much I Love You |
| 2008 | 978-0-7145-3161-8 | Amy Spencer | DIY: The Rise of Lo-fi Culture |
| 2005 | 978-0-7145-3300-1 | Shel Silverstein | Runny Babbit |
| 2005 | 978-0-7145-3302-5 | Verity Richards | Rhymes and Riddles to Rattle Your Reason |
| 2006 | 978-0-7145-3306-3 | Marjorie Dumortier | Zoe and Her Zany Animals |
| 2005 | 978-0-7145-3400-8 | Julio Cortazar | All Fires the Fire |
| '' | 978-0-7145-3402-2 | Raymond Radiguet | The Devil in the Flesh |
| '' | 978-0-7145-3403-9 | Witold Gombrowicz | Ferdydurke |
| '' | 978-0-7145-3404-6 | Julian Green | Paris (Marion Boyars Modern Classics) |
| '' | 978-0-7145-3405-3 | Penelope Shuttle · Peter Redgrove | The Wise Wound |
| 1976 | 978-0-7145-3514-2 | Edward Milne | No Shining Armour (A Platform book) |
| 1976 | 978-0-7145-3543-2 | Peter Hain | Community Politics |
| 1978 | 978-0-7145-3614-9 | Christopher Small | Music, Society, Education |
| 1977 | 978-0-7145-3617-0 | Fitz-James O'Brien | Fantastic Tales |
| 1979 | 978-0-7145-3624-8 | Peter Hain | Policing the Police: v. 1 (Platform books) |
| 1980 | 978-0-7145-3625-5 | Michael Gillard · Martin Tomkinson | Nothing to Declare: Political Corruptions of John Poulson (Platform Bks.) |
| 1979 | 978-0-7145-3628-6 | Peter, etc. Hain | Policing the Police |
| 1977 | 978-0-7145-3631-6 | Nathalie Sarraute · Maria Jolas | Fools Say |
| '' | 978-0-7145-3641-5 | Raymond Queneau | The Sunday of Life |
| 2000 | 978-0-7145-3656-9 | Antonin Artaud | Collected Works: v. 6 |
| 1979 | 978-0-7145-3663-7 | Samuel Beckett | Six Residua (Beckett Short) |
| 1978 | 978-0-7145-3728-3 | Margiad Evans | Country Dance |
| 1981 | 978-0-7145-3762-7 | Tristan Tzara | Seven Dada Manifestos and Lampisteries (A Calderbook, Cb 358) |
| 1980 | 978-0-7145-3768-9 | Wolfgang Amadeus Mozart · Emanuel Schikaneder · Karl Ludwig Giesecke · Michael Geliot · Anthony Besch | The Magic Flute (English National Opera Guide) |
| '' | 978-0-7145-3770-2 | Giuseppe Verdi · Antonio Ghislanzoni · Edmund Tracey | Aida. English National Opera Guide 2 |
| 1983 | 978-0-7145-3771-9 | Wolfgang Amadeus Mozart · Lorenzo Da Ponte · Pierre Augustin Caron de Beaumarchais · Edward J. Dent | The Marriage of Figaro, Le Nozze Di Figaro (English National Opera Guide No.17) |
| 1982 | 978-0-7145-3772-6 | Giacomo Puccini · Giuseppe Giacosa · Luigi Illica · Victorien Sardou · Edmund Tracey | Tosca. English National Opera Guide 16 |
| 1980 | 978-0-7145-3782-5 | Michael Baumann | Terror or Love?: Personal Account of a West German Urban Guerrilla |
| 1982 | 978-0-7145-3783-2 | April Fitzlyon | Lorenzo Da Ponte (Opera Library) |
| 1981 | 978-0-7145-3787-0 | Claude Simon | Triptych (Calderbooks) |
| 1980 | 978-0-7145-3795-5 | Peter Hain | Policing the Police: v. 2 (Platform Books) |
| '' | 978-0-7145-3796-2 | Martin Kettle · Duncan Campbell · Joanna Rollo | Policing the Police Volume 2 |
| 1988 | 978-0-7145-3800-6 | Louis-Ferdinand Celine | Journey to the End of the Night |
| 1980 | 978-0-7145-3819-8 | Gioacchino Rossini · Giacomo Ferretti · Arthur Jacobs | La Cenerentola (Cinderella). English National Opera Guide 1 |
| '' | 978-0-7145-3826-6 | Christopher Redwood | A Delius Companion |
| 1981 | 978-0-7145-3848-8 | Giuseppe Verdi · Francesco Maria Piave · Edmund Tracey · Alexandre Dumas | La Traviata. English National Opera Guide 5 |
| 1981 | 978-0-7145-3849-5 | Richard Wagner · Andrew Porter | Tristan & Isolde. English National Opera Guide 6 |
| 1982 | 978-0-7145-3850-1 | Giuseppe Verdi · Arrigo Boito · Andrew Porter · William Shakespeare | Otello (English National Opera Guide) |
| 1994 | 978-0-7145-3852-5 | Richard Wagner | Lohengrin (English National Opera Guide) |
| 1983 | 978-0-7145-3853-2 | Wolfgang Amadeus Mozart · Lorenzo Da Ponte · Norman Platt · Laura Sarti | Don Giovanni (English National Opera Guide) |
| '' | 978-0-7145-3856-3 | Benjamin Britten · Montagu Slater · William Plomer · George Crabbe | Peter Grimes. Gloriana. English National Opera Guide 24 |
| 1982 | 978-0-7145-3857-0 | Samuel Beckett | Company (Calderbooks) |
| '' | 978-0-7145-3858-7 | '' | All Strange Away (Calderbooks) |
| 1983 | 978-0-7145-3877-8 | Giuseppe Verdi | Il Trovatore. English National Opera Guide 20 |
| '' | 978-0-7145-3882-2 | Wolfgang Amadeus Mozart · Lorenzo Da Ponte · Marmaduke E. Browne · John Cox | Cosi Fan Tutte. English National Opera Guide 22 |
| 1982 | 978-0-7145-3895-2 | Samuel Beckett | Ill Seen Ill Said |
| '' | 978-0-7145-3906-5 | Claude Debussy · Maurice Maeterlinck · Hugh Macdonald | Pelleas & Melisande. English National Opera Guide 9 |
| 1981 | 978-0-7145-3914-0 | Dino Buzzati | Catastrophe and Other Stories (Calderbooks) |
| 1982 | 978-0-7145-3920-1 | Richard Wagner · David Pountney | The Flying Dutchman (English National Opera Guide) |
| 1982 | 978-0-7145-3921-8 | Giuseppe Verdi | Falstaff (English National Opera Guide) |
| '' | 978-0-7145-3922-5 | M.P. Musorgskii | Boris Godunov. English National Opera Guide 11 |
| 1983 | 978-0-7145-3925-6 | Alexander Trocchi | Young Adam (International Writers) |
| 1982 | 978-0-7145-3937-9 | Georges Bizet · Henri Meilhac · Ludovic Halevy · Prosper Merimee · Nell Moody · John Moody | Carmen. English National Opera Guide 13 |
| '' | 978-0-7145-3938-6 | Giacomo Puccini · Giuseppe Giacosa · Luigi Illica · Henri Murger · William Grist · Percy Pinkerton | La Boheme. English National Opera Guide 14 |
| '' | 978-0-7145-3939-3 | Giuseppe Verdi · Francesco Maria Piave · Victor Hugo · James Fenton | Rigoletto (English National Opera Guide) |
| 1983 | 978-0-7145-3961-4 | Richard Wagner · Frederick Jameson · Norman Feasey · Gordon Kember | The Mastersingers of Nuremberg / Die Meistersinger von Nürnberg (English German Parallel Text) (English National Opera Guide Series: No. 19) |
| '' | 978-0-7145-3966-9 | Antonine Maillet | Pelagie-la-charrette |
| 1988 | 978-0-7145-3984-3 | Luigi Pirandello · Robert Rietty | Collected Plays: v. 2 (Calderbooks) |
| 1985 | 978-0-7145-3994-2 | Claude Simon | The Flanders Road (Riverrun Writers) |
| 1984 | 978-0-7145-3997-3 | John Atkins | British Spy Novel (A Calderbook, Cb439) |
| 1986 | 978-0-7145-3998-0 | Hermann Prey · Robert D. Abraham | First Night Fever (Opera library) |
| 1984 | 978-0-7145-4006-1 | Samuel Beckett | Worstward Ho (Beckett Shorts Vol 4) |
| 1983 | 978-0-7145-4007-8 | Giuseppe Verdi · Francesco Maria Piave · Andrew Porter · Angel de Saavedra Rivas | The Force of Destiny. English National Opera Guide 23 |
| 1986 | 978-0-7145-4016-0 | Samuel Beckett · Ruby Cohn | Disjecta (Opera Guide) |
| 1984 | 978-0-7145-4019-1 | Richard Wagner · Andrew Porter | The Valkyrie (English National Opera Guide) |
| 1984 | 978-0-7145-4038-2 | Giacomo Puccini · Giuseppe Giacosa · Luigi Illica · R.H. Elkin · John Luther Long | Madam Butterfly. English National Opera Guide 26 |
| '' | 978-0-7145-4039-9 | Giacomo Puccini · Giuseppe Adami · Renato Simoni · William Weaver · Carlo Gozzi | Turandot (English National Opera Guide) |
| '' | 978-0-7145-4040-5 | Richard Wagner · Andrew Porter | Siegfried. English National Opera Guide 28 |
| 1985 | 978-0-7145-4062-7 | Richard Strauss · Hugo von Hofmannsthal · John Gutman | Arabella (English National Opera Guide) |
| '' | 978-0-7145-4063-4 | Richard Wagner | Twilight of the Gods (English National Opera Guide) |
| 1984 | 978-0-7145-4064-1 | Giuseppe Verdi · Francesco Maria Piave · James Fenton | Simon Boccanegra (English National Opera Guide) |
| 1985 | 978-0-7145-4078-8 | Richard Wagner · Andrew Porter | Das Rheingold. English National Opera Guide 35 |
| 1986 | 978-0-7145-4079-5 | Richard Wagner · Andrew Porter · English National Opera | Parsifal (English National Opera Guide) |
| 1985 | 978-0-7145-4080-1 | Gioacchino Rossini | The Barber of Seville. English National Opera Guide 36 |
| 1986 | 978-0-7145-4081-8 | Leos Janacek | Jenufa and Katya Kabanova (English National Opera Guide No. 33) |
| 1985 | 978-0-7145-4083-2 | Jorge Luis Borges | Fictions (Calderbooks) |
| 1987 | 978-0-7145-4106-8 | John Stonehouse | The Baring Fault |
| 1997 | 978-0-7145-4107-5 | Samuel Beckett | Beckett Trilogy: "Molloy", "Malone Dies", "The Unnamable" |
| 1987 | 978-0-7145-4110-5 | Luigi Pirandello | Collected Plays: "Henry IV", "The Man with the Flower in His Mouth", "Right You are If You Think You are", "Lazarus" v. 1 (Pirandello, Luigi//Collected Plays) |
| 1988 | 978-0-7145-4131-0 | Richard Strauss | Salome. Elektra. English National Opera Guide 37 |
| 1991 | 978-0-7145-4139-6 | Louis-Ferdinand Celine | Journey to the End of the Night |
| 1988 | 978-0-7145-4142-6 | Samuel Beckett · Louis le Brocquy | Stirrings Still |
| '' | 978-0-7145-4146-4 | Tchaikovsky · Nicholas John | Eugene Onegin. English National Opera Guide 38 |
| 1988 | 978-0-7145-4147-1 | Richard Wagner · Rodney Blumer | Tannhauser (English National Opera Guide) |
| 1990 | 978-0-7145-4148-8 | Giuseppe Verdi | Macbeth (English National Opera Guide) |
| 1988 | 978-0-7145-4149-5 | Howard Barker | The Last Supper: A New Testament (Playscript) |
| 1990 | 978-0-7145-4161-7 | Howard Barker | Collected Plays: v. 1: "Victory", "The Castle", "Scenes from an Execution", "Claw", "No End of Blame" |
| 1989 | 978-0-7145-4167-9 | Giuseppe Verdi | Masked Ball (English National Opera Guide) |
| 1997 | 978-0-7145-4179-2 | Louis-Ferdinand Celine | Death on Credit |
| 1990 | 978-0-7145-4201-0 | Alban Berg | Wozzeck (English National Opera Guide) |
| 1999 | 978-0-7145-4204-1 | Martin Esslin | Antonin Artaud |
| 1992 | 978-0-7145-4207-2 | Claudio Monteverdi · English National Opera | Operas of Monteverdi (English National Opera Guide) |
| '' | 978-0-7145-4208-9 | Giuseppe Verdi · Jennifer Batchelor | Don Carlos (English National Opera Guide) |
| 1993 | 978-0-7145-4212-6 | Samuel Beckett | Dream of Fair to Middling Women |
| 1995 | 978-0-7145-4213-3 | '' | Dream of Fair to Middling Women (Calderbooks) |
| 2000 | 978-0-7145-4217-1 | Johann Wolfgang von Goethe | Wilhelm Meister: Years of Apprenticeship Bks. 1-8 |
| '' | 978-0-7145-4218-8 | Johann Wolfgang von Goethe | Wilhelm Meister: Years of Travel Bks. 1-3 |
| 1992 | 978-0-7145-4232-4 | Howard Barker | A Hard Heart |
| '' | 978-0-7145-4233-1 | Alexander Trocchi | Cain's Book |
| 1993 | 978-0-7145-4234-8 | Antonin Artaud | The Theatre and Its Double (New Paris Editions) |
| 1998 | 978-0-7145-4238-6 | Raymond Queneau | Exercises in Style |
| 1993 | 978-0-7145-4268-3 | Richard Strauss | Rosenkavalier, Der (English National Opera Guide) |
| 1995 | 978-0-7145-4271-3 | Luigi Pirandello | Collected Plays: "As You Desire Me", "Think It Over, Giacomino!", "This Time It Will Be Different", "The Imbecile" v. 4 (Calderbooks) |
| '' | 978-0-7145-4279-9 | Howard Barker | Collected Plays: "The Power of the Dog", "The Europeans", "Women Beware Women", "Minna", "Judith", "Ego in Arcadia" v. 3 (Calderbooks) |
| 2002 | 978-0-7145-4283-6 | John Calder | The Philosophy of Samuel Beckett |
| 2000 | 978-0-7145-4295-9 | Robert Menasse | Wings of Stone |
| 1999 | 978-0-7145-4304-8 | Samuel Beckett | Beckett Short: "Stirrings Still" v.11: "Stirrings Still" Vol 11 |
| 1999 | 978-0-7145-4306-2 | Samuel Beckett | Beckett Shorts |
| 2001 | 978-0-7145-4313-0 | John Calder | Pursuit: The Uncensored Memoirs of John Calder |
| '' | 978-0-7145-4317-8 | Hyam Maccoby | The Disputation |
| 2002 | 978-0-7145-4326-0 | Howard Barker | Gertrude (The Cry): AND Knowledge and a Girl (The Snow White Case) |