| year of publication | ISBN | author(s) | title |
| 1999 | 978-0-571-19573-2 | Simon Rae | W.G.Grace: A Life |
| '' | 978-0-571-19575-6 | Mario Vargos Llosa | The Notebooks of Don Rigoberto |
| 1998 | 978-0-571-19578-7 | Todd Haynes | "Velvet Goldmine" |
| 1999 | 978-0-571-19579-4 | Russell Stannard | Space, Time, Rhythm and Rhyme |
| '' | 978-0-571-19580-0 | Michael Oliver | Settling the Score: A Journey Through the Music of the Twentieth Century |
| 1998 | 978-0-571-19584-8 | Timberlake Wertenbaker | After Darwin (Faber plays) |
| 2000 | 978-0-571-19585-5 | Darian Leader | Freud's Footnotes |
| 1998 | 978-0-571-19593-0 | W.H. Auden | Tell Me the Truth About Love |
| '' | 978-0-571-19596-1 | Thomas Schatz | The Genius of the System: Hollywood Film-making in the Studio Era |
| '' | 978-0-571-19597-8 | Paul Auster | Hand to Mouth: A Chronicle of Early Failure |
| 1998 | 978-0-571-19598-5 | Stephen Banfield | Gerald Finzi |
| '' | 978-0-571-19600-5 | Gus Van Sant | Pink |
| 2003 | 978-0-571-19601-2 | Anthony Grafton | The Footnote: A Curious History |
| 1998 | 978-0-571-19604-3 | Yasmina Reza | Unexpected Man |
| '' | 978-0-571-19605-0 | Jean Racine | Phaedra: A Version of Racine (Faber plays) |
| 2001 | 978-0-571-19608-1 | Phil Hardy · Dave Laing | The Faber Companion to 20th Century Popular Music |
| 1998 | 978-0-571-19611-1 | Matt Damon · Ben Affleck | Good Will Hunting (Screenplay) |
| 1999 | 978-0-571-19616-6 | Sadie Plant | Writing on Drugs |
| 2000 | 978-0-571-19617-3 | Kenneth Baker | A Children's English History in Verse |
| 2001 | 978-0-571-19619-7 | Ian Gibson | The Erotomaniac: The Secret Life of Henry Spencer Ashbee |
| 1999 | 978-0-571-19621-0 | Ted Hughes | The Mermaid's Purse |
| '' | 978-0-571-19623-4 | Russell Stannard | The God Experiment |
| 1998 | 978-0-571-19624-1 | Philip Ridley | Two Plays for Young People: "Fairytaleheart" and "Sparkleshark" (Faber plays) |
| 2007 | 978-0-571-19630-2 | Clare Wigfall | The Loudest Sound and Nothing |
| 1998 | 978-0-571-19633-3 | Michael Dibdin | A Long Finish |
| '' | 978-0-571-19634-0 | Manju Kapur | Difficult Daughters |
| 1998 | 978-0-571-19640-1 | Kinky Friedman | Frequent Flyer |
| 1999 | 978-0-571-19641-8 | Kinky Friedman | Musical Chairs |
| 2002 | 978-0-571-19647-0 | Jenny Uglow | The Lunar Men: A Story of Science, Art, Invention and Passion |
| 1998 | 978-0-571-19648-7 | Derek Walcott | What the Twilight Says |
| 2004 | 978-0-571-19649-4 | John Osborne | Looking Back: "Better Class of Person: An Autobiography, 1929-56", "Almost a Gentleman: An Autobiography, 1955-66": Never Explain, Never Apologise |
| 1998 | 978-0-571-19651-7 | Wendy Cope | The Funny Side: 101 Humorous Poems (Faber poetry) |
| '' | 978-0-571-19652-4 | Kinky Friedman | Blast from the Past |
| 2000 | 978-0-571-19653-1 | Stewart Spencer | Wagner Remembered (Composers remembered) |
| 2005 | 978-0-571-19654-8 | David Gilbert | The Normals |
| 1999 | 978-0-571-19657-9 | Arnold Schoenberg | Structural Functions of Harmony |
| '' | 978-0-571-19658-6 | Arnold Schoenberg | Fundamentals of Musical Composition |
| 1998 | 978-0-571-19659-3 | Alex Liddell | Madeira |
| 1999 | 978-0-571-19663-0 | Marie Darrieussecq | My Phantom Husband |
| 1998 | 978-0-571-19665-4 | Chris Smith | Creative Britain |
| 2000 | 978-0-571-19666-1 | Maryse Conde | I, Tituba (Faber Caribbean) |
| 1998 | 978-0-571-19667-8 | Alan Bennett | Writing Home |
| 2000 | 978-0-571-19669-2 | Stephen Lowenstein | My First Movie |
| 1998 | 978-0-571-19672-2 | Cameron Crowe | "Jerry Maguire" |
| 1999 | 978-0-571-19676-0 | Earl Lovelace | The Schoolmaster (Caribbean Writers Series) |
| '' | 978-0-571-19680-7 | Noel Coward | "Brief Encounter" (Faber classic screenplays) |
| 2002 | 978-0-571-19683-8 | Stephen Romer | 20th Century French Poems |
| 2007 | 978-0-571-19692-0 | Nathan Englander | The Ministry of Special Cases |
| 1998 | 978-0-571-19693-7 | Salman Rushdie | Haroun and the Sea of Stories: Play (Faber plays) |
| 2002 | 978-0-571-19696-8 | Stephen Kuusisto | Planet of the Blind |
| 1999 | 978-0-571-19697-5 | Anita Phillips | A Defence of Masochism |
| 2000 | 978-0-571-19699-9 | Elliot Perlman | The Reasons I Won't be Coming |
| 2004 | 978-0-571-19700-2 | Jamie McKendrick | The Faber Book of 20th-Century Italian Poems |
| 2005 | 978-0-571-19703-3 | Michael Hofmann | The Faber Book of 20th Century German Poems |
| 2000 | 978-0-571-19706-4 | Alastair Macauley | Matthew Bourne and His Adventures in Motion Pictures |
| 1999 | 978-0-571-19709-5 | April De Angelis | April De Angelis Plays: "Ironmistress", "Hush", "Playhouse Creatures", "The Positive Hour": "Ironmistress", "Hush", "Playhouse Creatures", "The Positive Hour' v. 1 |
| '' | 978-0-571-19710-1 | Brian Friel | Plays: "Dancing at Lughnasa", "Fathers and Sons", "Making History", "Wonderful Tennessee", "Molly Sweeney" v. 2 (Faber Contemporary Classics) |
| 1999 | 978-0-571-19716-3 | Elliot Perlman | Three Dollars |
| 2004 | 978-0-571-19719-4 | Michael Dibdin | A Long Finish (Aurelio Zen Mystery) |
| 1999 | 978-0-571-19720-0 | Gordon Burn | Happy Like Murderers: The True Story of Fred and Rosemary West |
| 2010 | 978-0-571-19723-1 | Hans Werner Henze | Bohemian Fifths: An Autobiography |
| 2000 | 978-0-571-19725-5 | Alma Mahler-Werfel | Alma Mahler-Werfel: Diaries, 1898-1902 |
| 1999 | 978-0-571-19726-2 | Paul Ormerod | Butterfly Economics: A New General Theory of Economic and Social Behaviour |
| '' | 978-0-571-19727-9 | Lorrie Moore | Birds of America |
| 2008 | 978-0-571-19729-3 | Gordon Burn | Born Yesterday: The News as a Novel |
| 1999 | 978-0-571-19730-9 | Jesse Sheidlower | The F-word |
| '' | 978-0-571-19733-0 | Giles Foden | Ladysmith |
| '' | 978-0-571-19735-4 | Simon Garfield | The Nation's Favourite: True Adventures of Radio 1 |
| '' | 978-0-571-19736-1 | Roger McGough | The Ring of Words: An Anthology of Poetry for Children |
| 1999 | 978-0-571-19744-6 | Philip Ardagh | Hieroglyph Handbook: Teach Yourself Ancient Egyptian |
| 1998 | 978-0-571-19745-3 | Louis MacNeice | Autumn Journal: A Poem (Faber poetry) |
| 1999 | 978-0-571-19746-0 | T.S. Eliot | Selected Essays |
| '' | 978-0-571-19750-7 | Tom Stoppard | Tom Stoppard Plays: "Dalliance", "Undiscovered Country", "Rough Crossing", "On the Razzle" v. 4 (Faber Contemporary Classics) |
| '' | 978-0-571-19751-4 | Tom Stoppard | Tom Stoppard Plays: "Arcadia", "Real Thing", "Night and Day", "Indian Ink", "Hapgood" v. 5 (Faber Contemporary Classics) |
| 1998 | 978-0-571-19752-1 | David Hare | Via Dolorosa (Faber plays) |
| '' | 978-0-571-19753-8 | Tony Harrison | Prometheus |
| 1999 | 978-0-571-19757-6 | Gordon Burn | HAPPY LIKE MURDERERS: The True Story of Fred and Rosemary West |
| '' | 978-0-571-19768-2 | Christopher Logue | Prince Charming: A Memoir |
| 1999 | 978-0-571-19771-2 | Tom Baker | The Boy Who Kicked Pigs |
| '' | 978-0-571-19772-9 | Simon Louvish | The Man on the Flying Trapeze: Life and Times of W.C. Fields |
| 2000 | 978-0-571-19777-4 | Milan Kundera | Life is Elsewhere |
| '' | 978-0-571-19778-1 | John Fletcher | Samuel Beckett: "Waiting for Godot", "Krapp's Last Tape", "Endgame" (Faber Critical Guides) |
| '' | 978-0-571-19779-8 | Nesta Jones | Brian Friel: "Making History", "Dancing at Lughnasa", "Philadelphia, Here I Come!", "Translations" (Faber Critical Guides) |
| '' | 978-0-571-19780-4 | Christopher Murray | Sean O'Casey: "Shadow of a Gunman", "Juno and the Paycock", "Plough and the Stars" (Faber Critical Guides) |
| 2000 | 978-0-571-19781-1 | Bill Naismith | Harold Pinter: "The Caretaker", "Birthday Party", "The Homecoming" (Faber Critical Guides) |
| '' | 978-0-571-19782-8 | Jim Hunter | Tom Stoppard: "Rosencrantz and Guildenstern are Dead", "Jumpers", "Travesties", "Arcadia" (Faber Critical Guides) |
| 1999 | 978-0-571-19783-5 | Professor Edward Mendelson | Early Auden |
| '' | 978-0-571-19784-2 | '' | Later Auden |
| '' | 978-0-571-19787-3 | Alan Ayckbourn | Comic Potential |
| 1998 | 978-0-571-19788-0 | David Hare | The Blue Room (Faber plays) |
| 1999 | 978-0-571-19790-3 | Rebecca J Bradley | Faber Book of Utopias |
| '' | 978-0-571-19791-0 | Neil LaBute | Friends and Neighbours |
| 1999 | 978-0-571-19793-4 | Freddie Young | Seventy Light Years |
| '' | 978-0-571-19794-1 | C.M. Woodhouse | Modern Greece: A Short History |
| '' | 978-0-571-19795-8 | Harmony Korine | Crackup at the Race Riots |
| 1993 | 978-0-571-19802-3 | Lorrie Moore | I Know Some Things: Stories about Childhood by Contemporary Writers |
| 1994 | 978-0-571-19814-6 | David Greenberger | Duplex Planet |
| '' | 978-0-571-19829-0 | Marc Robinson | Altogether Elsewhere: Writers on Exile |
| '' | 978-0-571-19835-1 | Barry Scott | We Had Joy, We Had Fun |
| 1995 | 978-0-571-19851-1 | Scott Bruce · Bill Crawford | Cerealizing America: The Unsweetened Story of American Breakfast Cereal |
| 1995 | 978-0-571-19873-3 | Rodger Streitmatter | Unspeakable: The Rise of the Gay and Lesbian Press in America |
| 1999 | 978-0-571-19877-1 | Margaret Edson | Wit |
| 1996 | 978-0-571-19879-5 | John Henry Fleming | The Legend of the Barefoot Mailman: A Novel |
| '' | 978-0-571-19892-4 | James Prideaux | Knowing Hepburn and Other Curious Experiences |
| '' | 978-0-571-19898-6 | Groucho Marx | Groucho Marx and Other Short Stories and Tall Tales: The Selected Writings of Groucho Marx |
| '' | 978-0-571-19902-0 | Mark Kingwell | Dreams of the Millennium |
| 1997 | 978-0-571-19903-7 | Arthur Quinn | Hell With the Fire Out: A History of the Modoc War |
| '' | 978-0-571-19930-3 | Alan Carter | U2: the Road to Pop |
| 1998 | 978-0-571-19933-4 | David Brudnoy | Life Is Not a Rehearsal: A Memoir |
| 1999 | 978-0-571-19934-1 | Christine Wallace | Germaine Greer: Untamed Shrew |
| 1998 | 978-0-571-19936-5 | Felice Picano | A House on the Ocean, a House on the Bay: A Memoir |
| 1998 | 978-0-571-19937-2 | Arthur Quinn | Hell With the Fire Out: A History of the Modoc War |
| 1999 | 978-0-571-19952-5 | Mark Curriden · Leroy Phillips | Contempt of Court: The Turn Of-The-Century Lynching That Launched 100 Years of Federalism |
| 2000 | 978-0-571-19954-9 | Christine Wiltz | The Last Madam: a Life in the New Orleans Underworld |
| 1999 | 978-0-571-19957-0 | Johnny Green · Green Johnny · Garry Barker | A Riot of Our Own: Night and Day with the Clash |
| '' | 978-0-571-19965-5 | Ken Cuthbertson | Nobody Said Not to Go: The Life, Loves, and Adventures of Emily Hahn |
| 2002 | 978-0-571-19982-2 | Stuart Galbraith | The Emperor and the Wolf: The Lives and Films of Akira Kurosawa and Toshiro Mifune |
| 2000 | 978-0-571-19983-9 | Rebecca Gilman | Boy Gets Girl: A Play |
| '' | 978-0-571-19984-6 | Rebecca Gilman | Spinning Into Butter: A Play |
| 2001 | 978-0-571-19986-0 | Michel Ciment | Kubrick: The Definitive Edition |
| 2000 | 978-0-571-19989-1 | Susan Dunn | Sister Revolutions: French Lightning, American Light |
| 2002 | 978-0-571-19990-7 | Steven DeRosa | Writing with Hitchcock: The Collaboration of Alfred Hitchcock and John Michael Hayes |
| 2003 | 978-0-571-19991-4 | Stuart Spencer | The Playwright's Guidebook |
| 2001 | 978-0-571-19994-5 | Michael Bloom | Thinking Like a Director: A Practical Handbook |
| '' | 978-0-571-19995-2 | Carol Ann Duffy | The World's Wife: Poems |
| '' | 978-0-571-19996-9 | David J. Skal | The Monster Show: A Cultural History of Horror |
| 2001 | 978-0-571-19997-6 | David Auburn | Proof |
| 2002 | 978-0-571-19998-3 | Rebecca Gilman | The Glory of Living |
| 2003 | 978-0-571-19999-0 | Harold Guskin | How to Stop Acting |
| 1999 | 978-0-571-20001-6 | Simon Armitage | Short and Sweet: 101 Very Short Poems (Faber poetry) |
| '' | 978-0-571-20002-3 | Jonathan Sumption | The Albigensian Crusade |
| '' | 978-0-571-20003-0 | Adam Phillips | Darwin's Worms |
| 2005 | 978-0-571-20005-4 | Nicola Humble | Culinary Pleasures: Cookbooks and the Transformation of British Food |
| 1999 | 978-0-571-20011-5 | Marina Carr | Marina Carr: "Low in the Dark", "The Mai", "Portia Coughlan", "By the Bog of Cats" v. 1: Plays (Contemporary classics) |
| '' | 978-0-571-20012-2 | Wes Anderson · Owen Wilson | Rushmore: Screenplay (Classic screenplay) |
| 2001 | 978-0-571-20014-6 | Stephen Unwin · Carole Woddis | A Pocket Guide to 20th Century Drama |
| 2000 | 978-0-571-20016-0 | Andrew Goodman | Gilbert and Sullivan's London |
| 1999 | 978-0-571-20017-7 | Elizabeth Wilson | Jacqueline Du Pre |
| 2001 | 978-0-571-20018-4 | Viktor Pelevin | The Blue Lantern |
| '' | 978-0-571-20019-1 | Julia Leigh | The Hunter |
| 1999 | 978-0-571-20022-1 | Mavis Cheek | Janice Gentle Gets Sexy |
| 1999 | 978-0-571-20027-6 | Caryl Phillips | European Tribe |
| '' | 978-0-571-20028-3 | Siegfried Sassoon | Memoirs of a Fox-hunting Man (FF Classics) |
| 2000 | 978-0-571-20031-3 | Mark Steyn | Broadway Babies Say Goodnight: Musicals Then and Now |
| 1999 | 978-0-571-20033-7 | Sylvia Plath | The Bell Jar |
| '' | 978-0-571-20038-2 | Vikram Seth | The Golden Gate (FF Classics) |
| '' | 978-0-571-20042-9 | Darren Aronofsky | Pi (screenplay & The Guerilla Diaries) |
| '' | 978-0-571-20043-6 | Hanif Kureishi | The Buddha of Suburbia (FF Classics) |
| 2001 | 978-0-571-20045-0 | Stephen Skelton | The Wines of Britain and Ireland: A Guide to the Vineyards |
| 2001 | 978-0-571-20047-4 | Orhan Pamuk | My Name is Red |
| '' | 978-0-571-20049-8 | Aleks Sierz | In-yer-face Theatre: British Drama Today |
| 978-0-571-20053-5 | Lord of the Flies |
| 1999 | 978-0-571-20055-9 | Don Paterson | The Eyes (Faber poetry) |
| '' | 978-0-571-20057-3 | John Osborne | Damn You England!: Collected Prose |
| '' | 978-0-571-20058-0 | Paul Auster | The New York Trilogy: "City of Glass", "Ghosts" and "Locked Room" (FF Classics) |
| 2002 | 978-0-571-20061-0 | Rick Moody | Garden State |
| 1999 | 978-0-571-20063-4 | Peter Carey | Oscar and Lucinda (FF Classics) |
| '' | 978-0-571-20068-9 | Quentin Tarantino | Pulp Fiction: Screenplay (Faber Classic Screenplay) |
| 1999 | 978-0-571-20069-6 | Brian Friel | Brian Friel: Essays, Diaries, Interviews: 1964-1999 |
| '' | 978-0-571-20073-3 | Kazuo Ishiguro | The Remains of the Day (FF Classics) |
| 2000 | 978-0-571-20076-4 | Wim Wenders | My Time with Antonioni |
| 1999 | 978-0-571-20078-8 | Neil M. Gunn | The Silver Darlings (FF Classics) |
| '' | 978-0-571-20081-8 | Gilbert Adair | A Closed Book |
| '' | 978-0-571-20083-2 | milan kundera | the unbearable lightness of being |
| 2000 | 978-0-571-20084-9 | Howard Pollack | Aaron Copland: The Life and Work of an Uncommon Man |
| '' | 978-0-571-20085-6 | Erica Wagner | Ariel's Gift: a commentary on Birthday Letters by Ted Hughes |
| 1999 | 978-0-571-20086-3 | Hugo Williams | Billy's Rain |
| 1999 | 978-0-571-20089-4 | Michael Dibdin | Blood Rain |
| '' | 978-0-571-20092-4 | Ronald Harwood | Quartet/Equally Divided (Faber plays) |
| '' | 978-0-571-20095-5 | Jonathan Sumption | The Hundred Years War: Trial by Battle v. 1 |
| '' | 978-0-571-20098-6 | Andrew Walker | Seven: Screenplays (Classic screenplay) |
| '' | 978-0-571-20099-3 | Gunter Grass | My Century |
| 2000 | 978-0-571-20104-4 | Paul Auster | Timbuktu |
| 2002 | 978-0-571-20105-1 | William Walton | The Selected Letters of William Walton |
| 2004 | 978-0-571-20106-8 | Andrew O'Hagan | Our Fathers |
| 1999 | 978-0-571-20108-2 | Tom Stoppard · Marc Norman | Shakespeare in Love: Screenplay |
| 1999 | 978-0-571-20115-0 | Sylvia Plath | Letters Home: Correspondence |
| 2000 | 978-0-571-20116-7 | Tobias Hill | Underground |
| 1999 | 978-0-571-20120-4 | Carol Ann Duffy | Meeting Midnight |
| 2000 | 978-0-571-20121-1 | Andrew Greig | When They Lay Bare |
| '' | 978-0-571-20126-6 | Viktor Pelevin | The Clay Machine Gun |
| '' | 978-0-571-20130-3 | Debbie Geller | The Brian Epstein Story |
| '' | 978-0-571-20131-0 | Nathan Englander | For the Relief of Unbearable Urges |
| 1999 | 978-0-571-20137-2 | Mona Simpson | Anywhere but Here |
| '' | 978-0-571-20138-9 | Reggie Nadelson | Bloody London (Artie Cohen) |
| 2000 | 978-0-571-20144-0 | Christine Pountney | Last Chance Texaco (Faber Paperback) |
| 2000 | 978-0-571-20147-1 | Michael Frayn | Headlong |
| 1999 | 978-0-571-20150-1 | Andrew Hagan | Our Fathers |
| 2001 | 978-0-571-20152-5 | Hans Maarten Van Den Brink | On the Water |
| 2000 | 978-0-571-20155-6 | Lawrence Durrell | Bitter Lemons of Cyprus |
| '' | 978-0-571-20156-3 | Debbie Geller | The Brian Epstein Story |
| 2001 | 978-0-571-20157-0 | Raymond Carney · John Cassavetes | Cassavetes on Cassavetes |
| 1999 | 978-0-571-20162-4 | Cameron Crowe | Conversations with Billy Wilder |
| 2003 | 978-0-571-20164-8 | Tony Coult | About Friel (About...the Playwrights & Their Works) |
| 2000 | 978-0-571-20165-5 | Lawrence Durrell | Prospero's Cell: Guide to the Landscape and Manners of the Island of Corfu |
| 1999 | 978-0-571-20167-9 | Kinky Friedman | Spanking Watson |
| 2000 | 978-0-571-20170-9 | Lawrence Durrell | Reflections on a Marine Venus |
| 2001 | 978-0-571-20171-6 | John Lanchester | Mr. Phillips |
| 2000 | 978-0-571-20175-4 | Barbara Kingsolver | The Poisonwood Bible |
| 2002 | 978-0-571-20176-1 | John Lanchester | Fragrant Harbour |