| year of publication | ISBN | author(s) | title |
| 1999 | 978-0-240-80327-2 | Ed Shane | Selling Electronic Media |
| '' | 978-0-240-80328-9 | Chris Johnson | The Practical Zone System: A Guide to Photographic Control |
| '' | 978-0-240-80329-6 | John Hart | The Art of the Storyboard: Storyboarding for Film, TV, and Animation |
| 2000 | 978-0-240-80330-2 | David Miles Huber | The MIDI Manual |
| 1998 | 978-0-240-80331-9 | Ed Ballou | Handbook for Sound Engineers: New Audio |
| 1999 | 978-0-240-80332-6 | William E. McCavitt · Peter K. Pringle · Michael F. Starr | Electronic Media Management |
| '' | 978-0-240-80336-4 | James Thomas | Script Analysis for Actors, Directors and Designers |
| 1998 | 978-0-240-80338-8 | Robert Olson | Art Direction for Film and Video |
| 1999 | 978-0-240-80343-2 | Phil Davis | Beyond the Zone System |
| '' | 978-0-240-80345-6 | Leslie Stroebel | View Camera Technique |
| 1998 | 978-0-240-80346-3 | John Hedgecoe | The New Introductory Photography Course |
| 2000 | 978-0-240-80348-7 | John Huntington | Control Systems for Live Entertainment |
| 1999 | 978-0-240-80349-4 | Kenneth Portnoy | Screen Adaptation: A Scriptwriting Handbook |
| 1999 | 978-0-240-80350-0 | Eric Renner | Pinhole Photography |
| 2001 | 978-0-240-80351-7 | Zoran Perisic | Visual Effects Cinematography |
| '' | 978-0-240-80353-1 | Steven Louis Shelley | A Practical Guide to Stage Lighting |
| 1999 | 978-0-240-80354-8 | Alys Holden · Ben Sammler | Structural Design for the Stage |
| 1998 | 978-0-240-80355-5 | Eugene Vale | Vale's Technique of Screen and Television Writing |
| 2001 | 978-0-240-80362-3 | Robert Hirsch · John Valentino | Photographic Possibilities: The Expressive Use of Ideas, Materials and Processes |
| 1999 | 978-0-240-80364-7 | John Vasey | Concert Sound and Lighting Systems |
| 2000 | 978-0-240-80368-5 | Pauline B. Rogers | More Contemporary Cinematographers on Their Art |
| 1999 | 978-0-240-80369-2 | Ken Dancyger · Patricia Cooper | Writing the Short Film |
| '' | 978-0-240-80370-8 | Jon Fauer | Arriflex 35 Book: a Guide to the 35BL, 35-3, 35-2C, and 35-3C System |
| 2000 | 978-0-240-80374-6 | Mark A. Simon | Storyboards: Motion In Art |
| 1999 | 978-0-240-80375-3 | Pauline B. Rogers | The Art of Visual Effects: Interviews on the Tools of the Trade |
| 2000 | 978-0-240-80377-7 | Dick Arentz | Platinum and Palladium Printing |
| '' | 978-0-240-80378-4 | Claudia H. Johnson | Crafting Short Screenplays That Connect |
| 1999 | 978-0-240-80379-1 | Bruce Bartlett · Jenny Bartlett | On Location Recording Techniques |
| 2000 | 978-0-240-80380-7 | Alan Constant | Close-up Photography |
| 2001 | 978-0-240-80381-4 | Timothy Garrand | Writing for Multimedia and the Web |
| 1999 | 978-0-240-80382-1 | Peter Ettedgui | Cinematography (Screencraft) |
| 2000 | 978-0-240-80383-8 | Tomlinson Holman | 5.1 Surround Sound: Up and Running |
| '' | 978-0-240-80384-5 | Mary Johnson | The New Scriptwriter's Journal |
| 1999 | 978-0-240-80390-6 | Steven Barclay | The Motion Picture Image: From Film to Digital |
| 2000 | 978-0-240-80392-0 | Michael Uva · Sabrina Uva | Uva's Rigging Guide for Studio and Location |
| 2002 | 978-0-240-80394-4 | Peter W. Rea · David K. Irving | Producing and Directing the Short Film and Video |
| 2000 | 978-0-240-80396-8 | John J. Lee | Motion Pictures Producer's Business Handbook |
| 2001 | 978-0-240-80397-5 | Richard A Blum | Television and Screen Writing: From Concept to Contract |
| 2000 | 978-0-240-80398-2 | Michael Rabiger | Developing Story Ideas |
| 2000 | 978-0-240-80399-9 | Andrew Laszlo · Andrew Quicke | Every Frame a Rembrandt: Art and Practice of Cinematography |
| 2001 | 978-0-240-80400-2 | Peter Ettedgui | Production Design and Art Direction (Screencraft) |
| 2000 | 978-0-240-80401-9 | David E. Elkins | The Camera Assistant's Manual |
| '' | 978-0-240-80403-3 | Georgia Baker | A Handbook of Costume Drawing: A Guide to Drawing the Period Figure for Costume Design Students |
| '' | 978-0-240-80404-0 | Stephen Bayes | The Avid Handbook: Techniques for the Avid Media Composer and Avid Xpress |
| '' | 978-0-240-80405-7 | Leslie Stroebel · John Compton · Ira Current · Richard D. Zakia | Basic Photographic Materials and Processes |
| '' | 978-0-240-80409-5 | Tom Letourneau | Placing Shadows: Lighting Techniques for Video Production |
| 2000 | 978-0-240-80410-1 | Larry Fazio | Stage Manager: The Professional Experience |
| '' | 978-0-240-80411-8 | George Cvjetnicanin · Richard Kallenberger | Film Into Video: A Guide to Merging the Technologies |
| 2001 | 978-0-240-80412-5 | Catherine Winder · Zahra Dowlatabadi | Producing Animation (Focal Press Visual Effects and Animation) |
| 2000 | 978-0-240-80413-2 | Matt Proulx | The Photographer's Assistant Handbook |
| 2001 | 978-0-240-80416-3 | John Rhodes | Videoconferencing for the Real World: Implementing Effective Visual Communications Systems |
| 2000 | 978-0-240-80417-0 | Robert L. Hartwig | Basic TV Technology: Digital and Analog (Media Manuals) |
| 2001 | 978-0-240-80419-4 | Eve Light Honthaner | The Complete Film Production Handbook |
| 2002 | 978-0-240-80420-0 | Ken Dancyger | The Technique of Film and Video Editing: History,Theory, and Practice |
| 2001 | 978-0-240-80422-4 | Nicholas Proferes | Film Directing Fundamentals: From Script to Screen |
| 2000 | 978-0-240-80423-1 | Steve Anchell | Darkroom Cookbook |
| 2001 | 978-0-240-80424-8 | Patricia Woodbridge | Designer Drafting for the Entertainment World |
| '' | 978-0-240-80426-2 | Peter Laytin | Creative Camera Control |
| 2000 | 978-0-240-80427-9 | Thomas Ohanian · Michael E Phillips | Digital Filmmaking: The Changing Art and Craft of Making Motion Pictures |
| 2001 | 978-0-240-80428-6 | Ken Dancyger | Global Scriptwriting |
| '' | 978-0-240-80432-3 | Louise Levison | Filmmakers and Financing: Business Plans for Independents |
| 2000 | 978-0-240-80437-8 | Ctein | Post Exposure: Advanced Techniques for the Photographic Printer |
| 2001 | 978-0-240-80438-5 | Norman J. Medoff · Tom Tanquary | Portable Video: ENG and EFP |
| 2000 | 978-0-240-80441-5 | Mark Russell · James Young | Film Music (Screencraft Series) |
| 2001 | 978-0-240-80443-9 | Roy Strauss · Patrick Hogan | Developing Effective Websites: A Project Manager's Guide |
| '' | 978-0-240-80445-3 | John Eargle | The Microphone Book |
| 2009 | 978-0-240-80451-4 | Dan McLaughlin | The Animation Primer |
| 2001 | 978-0-240-80452-1 | Ivan Cury | Directing and Producing for Television: A Format Approach |
| 2002 | 978-0-240-80453-8 | Tomlinson Holman | Sound for Film and Television |
| 2001 | 978-0-240-80454-5 | Glen M. Ballou · et al | Handbook for Sound Engineers |
| 2001 | 978-0-240-80455-2 | Steve Wright | Digital Compositing for Film and Video (Focal Press Visual Effects and Animation) |
| '' | 978-0-240-80456-9 | Robert E. Runstein · David Miles Huber | Modern Recording Techniques |
| '' | 978-0-240-80458-3 | Ernst Wildi | The Medium Format Advantage |
| 2008 | 978-0-240-80459-0 | David W. Samuelson | Panaflex User's Manual |
| 2001 | 978-0-240-80461-3 | Alan Greene Alan Greene is a photographer and teacher specializing in view-camera technique black-and-white printing and historical processes. | Primitive Photography: A Guide to Making Cameras, Lenses, and Calotypes |
| 2004 | 978-0-240-80462-0 | Susan Crabtree · Peter Beudert | Scenic Art for the Theatre: History, Tools, and Techniques |
| 2001 | 978-0-240-80464-4 | Jon Fauer ASC ASC | Shooting Digital Video |
| 2002 | 978-0-240-80466-8 | Richard D. Zakia | Perception and Imaging |
| 2001 | 978-0-240-80467-5 | Bruce Block | The Visual Story: Seeing the Structure of Film, TV and New Media |
| '' | 978-0-240-80468-2 | Declan McGrath | Editing and Post-Production (Screencraft) |
| 2002 | 978-0-240-80473-6 | Bruce Bartlett · Jenny Bartlett | Practical Recording Techniques |
| 2003 | 978-0-240-80474-3 | Steven Subotnick | Animation in the Home Digital Studio: Creation to Distribution (Focal Press Visual Effects and Animation) |
| 2002 | 978-0-240-80476-7 | Robert B. Musburger | Single-camera Video Production (Media Manuals) |
| '' | 978-0-240-80477-4 | Ken Dancyger · Jeff Rush | Alternative Scriptwriting: Successfully Breaking the Rules |
| 2003 | 978-0-240-80478-1 | Philip Miller | Media Law for Producers |
| 2002 | 978-0-240-80479-8 | James Alburger | The Art of Voice Acting: The Craft and Business of Performing for Voice-Over |
| 2001 | 978-0-240-80480-4 | Jon Fauer ASC ASC | DVCAM: A Practical Guide to the Professional System |
| 2003 | 978-0-240-80481-1 | Darlene Maciuba-Koppel | The Web Writer's Guide |
| 2004 | 978-0-240-80482-8 | Jon Krasner | Motion Graphic Design and Fine Art Animation: Principles and Practice |
| 2002 | 978-0-240-80483-5 | William Moylan | The Art of Recording: Understanding and Crafting the Mix |
| 2001 | 978-0-240-80485-9 | Michael G. Uva · Sabrina Uva | Uva's Basic Grip Book |
| 2002 | 978-0-240-80486-6 | David Goff | Fiber Optic Reference Guide |
| 2002 | 978-0-240-80487-3 | Michael Uva · Sabrina Uva | Uva's Guide To Cranes, Dollies, and Remote Heads |
| 2003 | 978-0-240-80488-0 | David Goff | Fiber Optic Video Transmission: The Complete Guide |
| '' | 978-0-240-80489-7 | Stacy Zemon | The Mobile DJ Handbook: How to Start & Run a Profitable Mobile Disc Jockey Service: How to Start and Run a Profitable Mobile Disc Jockey Service |
| 2002 | 978-0-240-80490-3 | Ben Sammler · Don Harvey | Technical Design Solutions for Theatre: The Technical Brief Collection Volume 1: Vol 1 |
| 2004 | 978-0-240-80491-0 | Paul Fuqua · Fil Hunter | Light: Science and Magic |
| 2002 | 978-0-240-80492-7 | Ben Sammler · Don Harvey | Technical Design Solutions for Theatre: The Technical Brief Collection Volume 2: Vol 2 |
| '' | 978-0-240-80493-4 | John Holloway | Illustrated Theatre Production Guide |
| '' | 978-0-240-80494-1 | August E. Grant · Jennifer Harman Meadows | Communication Technology Update |
| '' | 978-0-240-80495-8 | Harry C. Box | Set Lighting Technician's Handbook: Film Lighting Equipment, Practice and Electrical Distribution |
| 2003 | 978-0-240-80496-5 | Richard Ferncase | QuickTime for Filmmakers (QuickTime developer) |
| 2002 | 978-0-240-80498-9 | Mike Goodridge | Directing (Screencraft Series) |
| 2002 | 978-0-240-80500-9 | Blain Brown | Cinematography: Theory and Practice: Image Making for Cinematographers, Directors, and Videographers |
| 2003 | 978-0-240-80501-6 | Curtis Poole · Janette Bradley | Developer's Digital Media Reference: New Tools, New Methods |
| '' | 978-0-240-80502-3 | Jan Roberts-Breslin | Making Media: Foundations of Sound and Image Production |
| 2002 | 978-0-240-80506-1 | Barbara Clark · Susan Spohr | Guide to Postproduction for TV and Film: Managing the Process |
| '' | 978-0-240-80507-8 | Jeremiah Comey | The Art of Film Acting: A Guide For Actors and Directors: A Guide for Actors and Directors |
| 2003 | 978-0-240-80509-2 | Kenneth Creech PhD | Electronic Media Law and Regulation |
| 2004 | 978-0-240-80510-8 | Carolyn Handler Miller | Digital Storytelling: A Creator's Guide to Interactive Entertainment |
| 2003 | 978-0-240-80511-5 | Jeremy Sutton | Painter 8 Creativity: Digital Artists Handbook: Digital Artist's Handbook |
| '' | 978-0-240-80512-2 | Felim MacDermott · Declan McGrath | Screenwriting (Screencraft Series) |
| '' | 978-0-240-80513-9 | Mark A. Simon | Producing Independent 2D Character Animation: Making & Selling A Short Film: Making and Selling a Short Film (Focal Press Visual Effects and Animation) |
| 2003 | 978-0-240-80514-6 | Ray DiZazzo | Corporate Media Production |
| '' | 978-0-240-80515-3 | Stuart Blake Jones | Video Color Correction for Non-Linear Editors: A Step-by-Step Guide |
| 2004 | 978-0-240-80516-0 | Jeff Warmouth | DVD Authoring with DVD Studio Pro 2 |
| 2003 | 978-0-240-80517-7 | Michael Rabiger | Directing: Film Techniques and Aesthetics |
| 2004 | 978-0-240-80518-4 | Charles Roberts | Editing with Final Cut Pro 4: An Intermediate Guide to Setup and Editing Workflow |
| 2003 | 978-0-240-80525-2 | David Yewdall | Practical Art of Motion Picture Sound |
| '' | 978-0-240-80527-6 | David Morrish · Marlene MacCallum | Copper Plate Photogravure: Demystifying the Process |
| 2004 | 978-0-240-80530-6 | Michael C. Keith | The Radio Station |
| '' | 978-0-240-80534-4 | Tan Huaixiang | Character Costume Figure Drawing: Step-by-Step Drawing Methods for Theatre Costume Designers |
| 2003 | 978-0-240-80536-8 | Louise Levison | Filmmakers and Financing: Business Plans for Independents |
| '' | 978-0-240-80537-5 | William Byrnes | Management and the Arts, 3rd ed. |
| 2003 | 978-0-240-80539-9 | Sheila Curran Bernard | Documentary Storytelling for Video and Filmmakers |
| '' | 978-0-240-80541-2 | Sam Kauffmann | Avid Editing: A Guide for Beginning and Intermediate Users |
| '' | 978-0-240-80545-0 | Bob Katz | Mastering Audio: The Art and the Science |
| 2004 | 978-0-240-80546-7 | Dan Rahmel | Nuts and Bolts Filmmaking: Practical Techniques for the Guerilla Filmmaker |
| 2005 | 978-0-240-80548-1 | Peggy Miles | I Want My DTV |
| '' | 978-0-240-80549-8 | Jean Ann Wright | Animation Writing and Development: From Script Development to Pitch (Focal Press Visual Effects and Animation) |
| 2004 | 978-0-240-80553-5 | Steve Bayes | The Avid Handbook: Intermediate Techniques, Strategies, and Survival Information for Avid Editing Systems |
| 2007 | 978-0-240-80554-2 | Clare P. Rowe | Drawing and Rendering for Theatre: A Practical Course for Scenic, Costume, and Lighting Designers |
| 2005 | 978-0-240-80557-3 | Wes Simpson | Video Over IP: A Practical Guide to Technology and Applications (Focal Press Media Technology Professional Series) |
| '' | 978-0-240-80558-0 | David E. Elkins SOC | The Camera Assistant's Manual |
| 2004 | 978-0-240-80559-7 | Joe Follansbee Captain | Get Streaming!: Quick Steps to Delivering Audio and Video Online (Hands-On Guide Series) |
| 2004 | 978-0-240-80561-0 | Gary D. Robson | Closed Captioning Handbook |
| '' | 978-0-240-80562-7 | Nicholas Proferes | Film Directing Fundamentals: See Your Film Before Shooting |
| '' | 978-0-240-80563-4 | Wes Howell | DVD Authoring with Adobe Encore DVD: A Professional Guide to Creative DVD Production and Adobe Integration |
| '' | 978-0-240-80565-8 | Steve Oakley | Premiere Pro Results (Focal Easy Guide Series) |
| '' | 978-0-240-80566-5 | Videomaker | Videomaker Guide to Digital Video and DVD Production |
| 2004 | 978-0-240-80567-2 | Tim Kolb | Focal Easy Guide to Premiere Pro: For New Users and Professionals (The Focal Easy Guide) |
| '' | 978-0-240-80569-6 | Alan Stephenson · David Reese · Mary Beadle | Broadcast Announcing Worktext: Performing for Radio, Television, and Cable |
| '' | 978-0-240-80570-2 | Robert L Hilliard · MICHAEL C KEITH | The Broadcast Century and Beyond: A Biography of American Broadcasting |
| '' | 978-0-240-80573-3 | Eric Renner | Pinhole Photography: Rediscovering a Historic Technique |
| '' | 978-0-240-80578-8 | John Watkinson | The MPEG Handbook |
| 2004 | 978-0-240-80580-1 | David Austerberry | The Technology of Video and Audio Streaming |
| 2006 | 978-0-240-80582-5 | Christy Marx | Writing for Animation, Comics, and Games |
| 2004 | 978-0-240-80585-6 | Eden H. Wurmfeld · Nicole Laloggia | IFP/Los Angeles Independent Filmmaker's Manual |
| '' | 978-0-240-80586-3 | Michael Mirabito · Barbara Morgenstern | The New Communications Technologies: Applications, Policy, and Impact |
| '' | 978-0-240-80588-7 | Patricia Cooper · Ken Dancyger | Writing the Short Film |
| '' | 978-0-240-80589-4 | Fred Huffman | Practical IP and Telecom for Broadcast Engineering and Operations (Focal Press Media Technology Professional Series) |
| 2003 | 978-0-240-80590-0 | Deborah Nadoolman Landis | Costume Design (Screencraft) |
| 2004 | 978-0-240-80594-8 | Sebastian Moeritz · Klaus Diepold | Understanding MPEG 4: Technology and Business Insights |
| 2003 | 978-0-240-80596-2 | Charles Roberts | Digital Video Editing with Final Cut Express: The Real-World Guide to Set Up and Workflow |
| 2005 | 978-0-240-80598-6 | Dan Rayburn · Michael Hoch | The Business of Streaming and Digital Media |
| 2004 | 978-0-240-80600-6 | Christophe DeClerck | Media Home Platform |
| '' | 978-0-240-80602-0 | Brad Schiller | The Automated Lighting Programmer's Handbook |
| 2004 | 978-0-240-80605-1 | Brad Gilmer | File Interchange Handbook: For professional images, audio and metadata |
| 2005 | 978-0-240-80606-8 | Dick Arentz | Platinum and Palladium Printing |
| 2004 | 978-0-240-80608-2 | Michael Rabiger | Directing the Documentary |
| '' | 978-0-240-80610-5 | Kenneth Kobre | Photojournalism: The Professionals' Approach: The Professional's Approach |
| '' | 978-0-240-80613-6 | Ernst Wildi | The Hasselblad Manual |
| '' | 978-0-240-80614-3 | Diana Weynand · Marcus Weise | How Video Works |
| '' | 978-0-240-80617-4 | Charles S. Swartz | Understanding Digital Cinema: A Professional Handbook |
| 2004 | 978-0-240-80620-4 | Robert Koster | The Budget Book for Film and Television |
| 2005 | 978-0-240-80622-8 | Jean-Marc Gauthier | Building Interactive Worlds in 3D: Virtual Sets and Pre-visualization for Games, Film & the Web: Virtual Sets and Pre-visualization for Games, Film and the Web |
| '' | 978-0-240-80623-5 | Cathrine Kellison | Producing for TV and Video: A Real-World Approach |
| '' | 978-0-240-80625-9 | David Miles Huber · Robert E. Runstein | Modern Recording Techniques |
| 2006 | 978-0-240-80627-3 | Al Kovalick | Video Systems in an IT Environment: The Essentials of Professional Networked Media |
| 2005 | 978-0-240-80630-3 | Cliff Wootton | A Practical Guide to Video and Audio Compression: From Sprockets and Rasters to Macro Blocks |
| 2007 | 978-0-240-80631-0 | Alan Hendrickson | Mechanical Design for the Stage |
| 2005 | 978-0-240-80632-7 | Glenn Rand · David Litschel · Robert G. Davis | Digital Photographic Capture |
| 2004 | 978-0-240-80633-4 | Mike Gondek · Archie Cocke | Photoshop for Digital Video: Creative Solutions for Professional Results |
| '' | 978-0-240-80640-2 | August E. Grant · Jennifer H. Meadows | Communication Technology Update |
| 2005 | 978-0-240-80641-9 | Claudia H. Johnson | Crafting Short Screenplays That Connect |
| '' | 978-0-240-80646-4 | Yvonne J. Butler | The Advanced Digital Photographer's Workbook: Professionals Creating and Outputting World-Class Images |
| 2004 | 978-0-240-80647-1 | Robert B. Musburger PhD · Gorham Kindem PhD | Introduction to Media Production: The Path to Digital Media Production |
| 2005 | 978-0-240-80649-5 | Andrew Rodney | Color Management for Photographers: Hands on Techniques for Photoshop Users |
| 2005 | 978-0-240-80659-4 | Ted White | Broadcast News Writing, Reporting, and Producing |
| '' | 978-0-240-80661-7 | Chuck Gloman · Tom LeTourneau | Placing Shadows: Lighting Techniques for Video Production |
| 2004 | 978-0-240-80662-4 | James Thomas | Script Analysis for Actors, Directors, and Designers |
| '' | 978-0-240-80663-1 | Lars Svanberg | The EDCF Guide to Digital Cinema Production |
| 2006 | 978-0-240-80664-8 | Lenore DeKoven | Changing Direction: A Practical Approach to Directing Actors in Film and Theatre: Foreword by Ang Lee |
| 2005 | 978-0-240-80665-5 | Jens Jacobsen · Tilman Schlenker · Lisa Edwards | Implementing a Digital Asset Management System: For Animation, Computer Games, and Web Development |
| '' | 978-0-240-80666-2 | Steven Morris · Anthony Smith-Chaigneau | Interactive TV Standards: A Guide to MHP, OCAP, and JavaTV |
| '' | 978-0-240-80668-6 | Eve Light Honthaner | Hollywood Drive: What it Takes to Break in, Hang in & Make it in the Entertainment Industry: What It Takes to Break In, Hang in and Make It in the Entertainment Industry |
| 2005 | 978-0-240-80669-3 | Jeremy Sutton | Painter IX Creativity: Digital Artist's Handbook |
| 2006 | 978-0-240-80670-9 | Tony White | Animation from Pencils to Pixels: Classical Techniques for the Digital Animator |
| 2005 | 978-0-240-80680-8 | Michael Rizzo | The Art Direction Handbook for Film |
| 2006 | 978-0-240-80681-5 | Ken Dancyger | The Director's Idea: The Path to Great Directing |
| 2005 | 978-0-240-80682-2 | Lynne Gross · Brian Gross · Philippe Perebinossoff | Programming for TV, Radio & The Internet: Strategy, Development & Evaluation: Strategy, Development and Evaluation |
| 2006 | 978-0-240-80684-6 | Aleksandar Louis Todorovic | Television Technology Demystified: A Non-technical Guide |
| 2005 | 978-0-240-80685-3 | Bruce Bartlett · Jenny Bartlett | Practical Recording Techniques: The step-by-step approach to professional audio recording: The Step-by-Step Approach to Professional Audio Recording |
| '' | 978-0-240-80687-7 | Robert Marich | Marketing to Moviegoers: A Handbook of Strategies Used by Major Studios and Independents |
| '' | 978-0-240-80688-4 | Patti Bellantoni | If It's Purple, Someone's Gonna Die: The Power of Color in Visual Storytelling |
| 2009 | 978-0-240-80689-1 | James Moody | Concert Lighting: Techniques, Art and Business |
| 2005 | 978-0-240-80690-7 | David Reese · Lynne Gross · Brian Gross | RADIO PRODUCTION WORKTEXT: STUDIO AND EQUIPMENT |
| 2006 | 978-0-240-80693-8 | Nick Wells · Bruce Devlin · Jim Wilkinson · Matt Beard · Phil Tudor | The MXF Book: An Introduction to the Material eXchange Format |
| 2005 | 978-0-240-80695-2 | Bastian Cleve | Film Production Management |
| 2004 | 978-0-240-80696-9 | Steve Warren | Radio: The Book: For Creative Professional Programming |