| year of publication | ISBN | author(s) | title |
|---|
| 2004 | 978-0-240-51943-2 | Mike Collins | Pro Tools for Music Production: Recording, Editing and Mixing |
| 2003 | 978-0-240-51946-3 | Rick Young | Focal Easy Guide to Final Cut Express: For new users and professionals (The Focal Easy Guide) |
| 2004 | 978-0-240-51947-0 | Hilary Wyatt · Tim Amyes | Audio Post Production for Television and Film: An introduction to technology and techniques |
| '' | 978-0-240-51949-4 | Nik Lever | Director MX 2004 Games: Game Development with Director |
| '' | 978-0-240-51951-7 | Mark Galer M.Ed. · Philip Andrews | Photoshop CS: Essential Skills (Photography Essential Skills) |
| '' | 978-0-240-51953-1 | Steve Caplin | How to Cheat in Photoshop: The Art of Creating Photorealistic Montages |
| '' | 978-0-240-51954-8 | Pete Draper | Deconstructing the Elements with 3ds Max 6: Create Natural Fire, Earth, Air and Water without Plug-ins |
| 2004 | 978-0-240-51955-5 | Gary M Davis | Focal Easy Guide to Discreet Combustion 3 |
| '' | 978-0-240-51956-2 | Mark Galer | Photography Foundations for Art and Design: A Practical Guide to Creative Photography |
| '' | 978-0-240-51957-9 | Peter Bargh | Photoshop CS A-Z: The essential visual reference guide |
| '' | 978-0-240-51958-6 | Philip Andrews | Adobe Photoshop Elements 3.0: A Visual Introduction to Digital Imaging |
| '' | 978-0-240-51959-3 | Birgitta Hosea | Focal Easy Guide to Flash MX 2004: For New Users and Professionals (Focal Easy Guide Series) |
| 2005 | 978-0-240-51960-9 | Andrea Pejrolo | Creative Sequencing Techniques for Music Production: A practical guide to Logic, Digital Performer, Cubase and Pro Tools |
| 2004 | 978-0-240-51961-6 | John Eargle | The Microphone Book: From mono to stereo to surround - a guide to microphone design and application |
| 2005 | 978-0-240-51962-3 | Paul Wheeler | Practical Cinematography |
| 2004 | 978-0-240-51963-0 | Nik Lever | Flash MX 2004 Games: Art to ActionScript |
| 2004 | 978-0-240-51964-7 | John Child · Mark Galer M.Ed. | Photographic Lighting: Essential Skills (Photography Essential Skills) |
| 2006 | 978-0-240-51966-1 | Alex Michael | Animating with Flash 8: Creative Animation Techniques |
| '' | 978-0-240-51967-8 | Michael Langford · Philip Andrews | Langford's Starting Photography: A Guide to Better Pictures for Film and Digital Camera Users |
| '' | 978-0-240-51969-2 | Roger Derry | PC Audio Editing with Adobe Audition 2.0: Broadcast, desktop and CD audio production |
| 2009 | 978-0-240-51970-8 | Paul Middleton · Steven Gurevitz | Music Technology Workbook: Key concepts and practical projects |
| 2005 | 978-0-240-51971-5 | Mark Galer M.Ed. · Les Horvat B.Sci Dip. Ed B.A(Photog.) M.A.I.P.P | Digital Imaging: Essential Skills (Photography Essential Skills) |
| '' | 978-0-240-51972-2 | Robert McLeish | Radio Production |
| 2007 | 978-0-240-51973-9 | Jonathan Higgins | Satellite Newsgathering |
| 2005 | 978-0-240-51974-6 | Tim Crich | Recording Tips for Engineers: For cleaner, brighter tracks |
| '' | 978-0-240-51975-3 | Trev Wilkins | Focal Easy Guide to Cakewalk Sonar: For new users and professionals (The Focal Easy Guide) |
| 2005 | 978-0-240-51979-1 | John Child | Studio Photography: Essential Skills (Photography Essential Skills) |
| '' | 978-0-240-51980-7 | Adrian Davies MSc FBIPP ARPS | Focal Digital Imaging A to Z |
| '' | 978-0-240-51981-4 | Ken McMahon · Robin Nichols | Paint Shop Pro 9 for Photographers |
| '' | 978-0-240-51982-1 | Martin Addison | Painter IX for Photographers: Creating Painterly Images Step by Step |
| '' | 978-0-240-51984-5 | Martin Evening | Adobe Photoshop CS2 for Photographers: A professional image editor's guide to the creative use of Photoshop for the Macintosh and PC: A Professional Image ... Use of Photoshop for the Macintosh and PC |
| 2005 | 978-0-240-51985-2 | Steve Caplin | How to Cheat in Photoshop: The art of creating photorealistic montages - updated for CS2 |
| '' | 978-0-240-51987-6 | Alistair Dabbs · John Carucci | Adobe Creative Suite 2 Integration: Photoshop, Illustrator, Indesign, Golive, Acrobat, Bridge and Version Cue |
| 2006 | 978-0-240-51988-3 | MARTIN EDGE | The Underwater Photographer: Digital and Traditional Techniques |
| 2005 | 978-0-240-51989-0 | Philip Andrews | Adobe Photoshop Elements 3.0 A - Z: Tools and features illustrated ready reference |
| '' | 978-0-240-51990-6 | '' | Advanced Photoshop Elements 4.0 for Digital Photographers |
| 2006 | 978-0-240-51991-3 | Andrew Rapo · Alex Michael | Understanding Macromedia Flash 8 ActionScript 2: Basic techniques for creatives |
| '' | 978-0-240-51992-0 | Angie Taylor | Creative After Effects 7: Workflow Techniques for Animation, Visual Effects and Motion Graphics |
| '' | 978-0-240-51995-1 | David Howard · Jamie Angus | Acoustics and Psychoacoustics (Music Technology) |
| 2005 | 978-0-240-51996-8 | Francis Rumsey · TIM MCCORMICK | Sound and Recording: An Introduction (Music Technology) |
| 2006 | 978-0-240-51998-2 | Birgitta Hosea | Focal Easy Guide to Macromedia Flash 8: For new users and professionals (The Focal Easy Guide) |
| 2006 | 978-0-240-51999-9 | Mike Collins | Pro Tools LE and M-Powered: The complete guide |
| 2005 | 978-0-240-52000-1 | Mark Galer M.Ed. · Philip Andrews | Photoshop CS2: Essential Skills (Photography Essential Skills) |
| '' | 978-0-240-52001-8 | Brad Hinkel | Focal Easy Guide to Photoshop CS2: Image Editing for New Users and Professionals (Digital Imaging Editing) |
| '' | 978-0-240-52002-5 | Philip Andrews | Adobe Photoshop CS2 A - Z: Tools and features illustrated ready reference |
| 2006 | 978-0-240-52004-9 | Jeff Bellune | The Focal Easy Guide to Adobe ® Encore T DVD 2.0 |
| 2008 | 978-0-240-52005-6 | John Watkinson | The Art of Digital Video |
| '' | 978-0-240-52006-3 | John Hechtman | The Audio Wiring Guide: How to wire the most popular audio and video connectors |
| '' | 978-0-240-52009-4 | Floyd Toole | Sound Reproduction: The Acoustics and Psychoacoustics of Loudspeakers and Rooms |
| 2005 | 978-0-240-52010-0 | Gary M Davis | The Focal Easy Guide to Combustion 4: For New Users and Professionals |
| 2005 | 978-0-240-52011-7 | Philip Andrews | Adobe Photoshop Elements 4.0: A Visual Introduction to Digital Imaging |
| 2006 | 978-0-240-52012-4 | Mark Galer M.Ed. | Photoshop Elements 4.0 Maximum Performance: Professional Image Editing for Photographers |
| '' | 978-0-240-52013-1 | '' | Digital Photography in Available Light: Essential Skills (Photography Essential Skills) |
| '' | 978-0-240-52014-8 | PHILIP NEWELL · Keith Holland | Loudspeakers: For music recording and reproduction |
| 2005 | 978-0-240-52015-5 | Rick Young | Focal Easy Guide to Final Cut Pro 5: For New Users and Professionals |
| 2006 | 978-0-240-52016-2 | Ken McMahon · Robin Nichols | Paint Shop Pro X for Photographers |
| '' | 978-0-240-52017-9 | Philip Andrews | Adobe Photoshop Elements 4.0 A to Z: Tools and features illustrated ready reference |
| '' | 978-0-240-52018-6 | Antony Brown | The Focal Easy Guide to Adobe Audition 2.0: For New Users and Professionals: No. 2 |
| 2006 | 978-0-240-52019-3 | Pete Draper | Deconstructing the Elements with 3ds Max: Create natural fire, earth, air and water without plug-ins |
| '' | 978-0-240-52020-9 | Bob McCarthy | Sound Systems: Design and Optimization: Modern Techniques and Tools for Sound System Design and Alignment |
| 2007 | 978-0-240-52021-6 | A Pejrolo | Acoustic and MIDI Orchestration for the Contemporary Composer |
| 2006 | 978-0-240-52022-3 | Darren Brooker CG artist Cosgrove Hall Digital. | Essential CG Lighting Techniques with 3ds Max (Focal Press Visual Effects and Animation) |
| '' | 978-0-240-52023-0 | Nathan Adam · Brady Barnett | Multi-Platinum Pro Tools: Advanced Editing, Pocketing and Autotuning Techniques |
| 2007 | 978-0-240-52024-7 | Jon Tarrant | Understanding Digital Cameras: Getting the Best Image from Capture to Output |
| 2008 | 978-0-240-52027-8 | Rod Wynne-Powell | Mac OS X for Photographers: Optimize Your Mac for Digital Image Workflow and Run Photoshop Fast (Digital Photography Workflow Series) |
| 2007 | 978-0-240-52028-5 | Martin Evening | Adobe Photoshop CS3 for Photographers: A Professional Image Editor's Guide to the Creative Use of Photoshop for the Macintosh and PC |
| '' | 978-0-240-52032-2 | Alex Case | Sound FX: Unlocking the Creative Potential of Recording Studio Effects |
| '' | 978-0-240-52033-9 | Martin Addison | Painter X for Photographers: Creating Painterly Images Step by Step |
| 2008 | 978-0-240-52034-6 | Jason Patnode | Character Modeling with Maya and ZBrush: Professional Polygonal Modeling Techniques |
| 2007 | 978-0-240-52035-3 | Michael Langford · Anna Fox · Richard Sawdon Smith | Langford's Basic Photography: The guide for serious photographers |
| 2007 | 978-0-240-52036-0 | Paul Wheeler | High Definition Cinematography |
| '' | 978-0-240-52038-4 | Efthimia Bilissi | Langford's Advanced Photography |
| 2008 | 978-0-240-52039-1 | Ken McMahon · Nik Rawlinson | Apple Aperture 2: A workflow guide for digital photographers: A Workflow Guide for Digital Photographers (Digital Workflow) |
| 2007 | 978-0-240-52040-7 | Grey | Canon DSLR: The Ultimate Photographer's Guide (Digital Workflow) |
| 2006 | 978-0-240-52045-2 | Chi Hang Li · Chris Patmore · Hayden Scott Baron | Making Anime: Create mesmerising manga-style animation with pencils, paint and pixels |
| 2007 | 978-0-240-52046-9 | Derek Lea | Creative Photoshop: Digital Illustration and Art Techniques, cove: Digital Illustration and Art Techniques: Digital Illustration and Art Techniques, Covering Photoshop CS3 (Digital Workflow) |
| 2008 | 978-0-240-52047-6 | Cousins · Hepworth-Sawyer | Logic Pro 8: Audio and Music Production |
| 2006 | 978-0-240-52048-3 | Mark Galer M.Ed. | Adobe Photoshop Elements 5.0 Maximum Performance: Unleash the hidden performance of Elements |
| '' | 978-0-240-52049-0 | Philip Andrews | Adobe Photoshop Elements 5.0: A visual introduction to digital photography |
| 2007 | 978-0-240-52050-6 | Mark Galer M.Ed. | Photography Foundations for Art and Design: The creative photography handbook |
| '' | 978-0-240-52054-4 | Steve Roberts | Character Animation: 2D Skills for Better 3D (Focal Press Visual Effects and Animation) |
| 2008 | 978-0-240-52055-1 | Shaw | Stop Motion: Craft Skills for Model Animation (Focal Press Visual Effects and Animation) |
| 2007 | 978-0-240-52056-8 | Philip Andrews · Michael Langford | Langford's Starting Photography: The guide to great images with digital or film |
| 2006 | 978-0-240-52057-5 | Philip Andrews | Advanced Photoshop Elements 5.0 for Digital Photographers |
| 2007 | 978-0-240-52058-2 | Chris Georgenes | How to Cheat in Adobe Flash CS3, (How to Cheat in): The Art of Design and Animation |
| '' | 978-0-240-52059-9 | Keith Martin | Creative Suite 3 Integration: Photoshop, Illustrator, Indesign, Dreamweaver, Flash Pro, Acrobat, Bridge and Version Cue |
| 2007 | 978-0-240-52060-5 | Barry Purves | Stop Motion: Passion, Process and Performance |
| '' | 978-0-240-52061-2 | Philip Andrews | Adobe Photoshop Elements 5.0 A-Z: Tools and features illustrated ready reference |
| '' | 978-0-240-52062-9 | Steve Caplin | How to Cheat in Photoshop CS3: The Art of Creating Photorealistic Montages |
| '' | 978-0-240-52064-3 | Mark Galer · Philip Andrews | Photoshop CS3 Essential Skills (Photography Essential Skills) |
| '' | 978-0-240-52065-0 | Philip Andrews | Adobe Photoshop CS3 A-Z: Tools and Features Illustrated Ready Reference |
| 2006 | 978-0-240-52066-7 | Ken McMahon | Paint Shop Pro Photo XI for Photographers |
| 2007 | 978-0-240-52067-4 | David Huss | Adobe Photoshop Lightroom for the Professional Photographer: The Ultimate Guide for Wedding, Portrait, Sports, Fine Art, Fashion and Photojournalism Photographers |
| 2007 | 978-0-240-52068-1 | Roey Izhaki | Mixing Audio: Concepts, Practices and Tools |
| '' | 978-0-240-52069-8 | S Webber | DJ Skills: The Essential Guide to Mixing and Scratching |
| '' | 978-0-240-52070-4 | Olivier Cotte | Secrets of Oscar-winning Animation: Behind the Scenes of 13 Classic Short Animations |
| '' | 978-0-240-52072-8 | Mark Jenkins | Analog Synthesizers: Understanding, Performing, Buying from the Legacy of Moog to Software Synthesis |
| '' | 978-0-240-52073-5 | Sam McGuire | Audio Sampling: A Practical Guide |
| 2007 | 978-0-240-52074-2 | Charles Kriel | How to DVJ: A Digital DJ Masterclass |
| 2009 | 978-0-240-52075-9 | Collins | Pro Tools 8: Music Production, Recording, Editing and Mixing |
| 2007 | 978-0-240-52076-6 | Richard Lynch | The Adobe Photoshop Layers Book: Harnessing Photoshop's Most Powerful Tool: Harnessing Photoshop's Most Powerful Tool, Covers Photoshop CS3 |
| 2009 | 978-0-240-52077-3 | Angell | Pro Tools for Film and Video |
| 2008 | 978-0-240-52080-3 | Gerald Millerson C.Eng MIEE MSMPTE · Jim Owens | Video Production Handbook |
| '' | 978-0-240-52081-0 | Benoit | Digital Television: Satellite, Cable, Terrestrial, IPTV, Mobile TV in the DVB Framework |
| '' | 978-0-240-52082-7 | Cheryl Cabrera | An Essential Introduction to Maya Character Rigging with DVD |
| 2007 | 978-0-240-52083-4 | David Asch · Steve Caplin | How to Cheat in Adobe Photoshop Elements 6: Create stunning photomontages on a budget: 1 |
| '' | 978-0-240-52084-1 | Leslie Alsheimer | Black and White in Photoshop CS3 and Photoshop Lightroom: Create Stunning Monochromatic Images in Photoshop CS3, Photoshop Lightroom and Beyond |
| '' | 978-0-240-52085-8 | 3d Total Com | Digital Art Masters: Vol. 2 |
| 2007 | 978-0-240-52086-5 | Philip Newell | Recording Studio Design |
| '' | 978-0-240-52089-6 | Ken McMahon | Paint Shop Pro Photo X2 for Photographers |
| '' | 978-0-240-52092-6 | Mark Galer | Adobe Photoshop Elements 6 Maximum Performance: Unleash the hidden performance of Elements |
| '' | 978-0-240-52093-3 | Hans Bacher | Dream Worlds: Production Design for Animation |
| 2008 | 978-0-240-52095-7 | Child | Photographic Lighting Essential Skills (Photography Essential Skills) |
| '' | 978-0-240-52096-4 | John Child | Studio Photography: Essential Skills |
| 2008 | 978-0-240-52097-1 | Philip Andrews | Advanced Photoshop Elements 6 for Digital Photographers |
| 2007 | 978-0-240-52099-5 | '' | Adobe Photoshop Elements 6: A Visual Introduction to Digital Photography |
| 2009 | 978-0-240-52101-5 | Chris Weston · Chris Coe | Creative DSLR Photography: The ultimate creative workflow guide: The Ultimate Creative Workflow Guide (Digital Workflow) |
| 2008 | 978-0-240-52105-3 | Martin Russ | Sound Synthesis and Sampling (Music Technology) |
| '' | 978-0-240-52107-7 | Rick Snoman | Dance Music Manual: Tools. toys and techniques: Tools. Toys and Techniques |
| '' | 978-0-240-52110-7 | Philip Andrews · Michael Langford | Langford's Starting Photography: The guide to creating great images: The Guide to Creating Great Images |
| '' | 978-0-240-52112-1 | Mark Galer | Digital Photography: Essential Skills |
| 2009 | 978-0-240-52115-2 | Steve Caplin | How to Cheat in Photoshop CS4: The art of creating photorealistic montages: The Art of Creating Photorealistic Montages |
| 2008 | 978-0-240-52117-6 | Darren Brooker CG artist Cosgrove Hall Digital. | Essential CG Lighting Techniques with 3ds Max (Autodesk Media and Entertainment Techniques) |
| '' | 978-0-240-52119-0 | 3D Total.com | Digital Art Masters: Volume 3: v. 3 (3d Total.Com) |
| 2009 | 978-0-240-52122-0 | Jim White · Tony Sweet | Nikon DSLR: The Ultimate Photographer's Guide (Digital Workflow) |
| 2009 | 978-0-240-52123-7 | Martin Addison | Painter 11 for Photographers: Creating painterly images step by step |
| 2008 | 978-0-240-52124-4 | Mark Galer · Philip Andrews | Photoshop CS4: Essential Skills (Photography Essential Skills) |
| '' | 978-0-240-52125-1 | Martin Evening | Adobe Photoshop CS4 for Photographers: A Professional Image Editor's Guide to the Creative use of Photoshop for the Macintosh and PC: A Professional Image ... Use of Photoshop for the Macintosh and PC |
| '' | 978-0-240-52126-8 | Pete Draper | Deconstructing the Elements with 3ds Max: Create natural fire, earth, air and water without plug-ins: Create Natural Fire, Earth, Air and Water ... (Autodesk Media and Entertainment Techniques) |
| 2009 | 978-0-240-52131-2 | Georgenes | How to Cheat in Adobe Flash CS4: The Art of Design and Animation |
| '' | 978-0-240-52132-9 | Philip Andrews | The Adobe Photoshop CS4 Dictionary: The A to Z desktop reference of Photoshop: The A to Z Desktop Reference of Photoshop |
| 2008 | 978-0-240-52133-6 | David Huss · David Plotkin | Adobe Photoshop Lightroom 2: A Digital Photographer's Guide |
| 2009 | 978-0-240-52134-3 | Derek Lea | Creative Photoshop CS4: Digital Illustration and Art Techniques |
| 2008 | 978-0-240-52135-0 | Mark Galer | Adobe Photoshop Elements 7 Maximum Performance: Unleash the Hidden Performance of Elements |
| '' | 978-0-240-52140-4 | Nancy Beiman · D. Roland Hess · Karen Sullivan · Gary Schumer · Kate Alexander | Inspiration for Animators bundle: (3 Titles)[with CD-ROMs] |
| 2008 | 978-0-240-52146-6 | Jon Krasner · Chris and Trish Meyer | Motion Graphics Artists' Bundle |
| '' | 978-0-240-52154-1 | David Asch | How to Cheat in Photoshop Elements 7: Creating Stunning Photomontages on a Budget |
| 2009 | 978-0-240-52155-8 | Richard Lynch | The Adobe Photoshop CS4 Layers Book: Harnessing Photoshop's most powerful tool |
| 2008 | 978-0-240-52157-2 | Philip Andrews | Adobe Photoshop Elements 7: A Visual Introduction to Digital Photography |
| '' | 978-0-240-52158-9 | '' | Advanced Photoshop Elements 7 for Digital Photographers |
| 2009 | 978-0-240-52159-6 | Leslie Alsheimer · Bryan O'Neil Hughes | Black and White in Photoshop CS4 and Lightroom: Create Stunning Images in Photoshop CS4, Photoshop Lightroom, and beyond: Create Stunning Images in ... CS4, Photoshop Lightroom, and Beyond |
| '' | 978-0-240-52160-2 | Tom Sito | Timing for Animation |
| '' | 978-0-240-52162-6 | Self | Audio Power Amplifier Design Handbook |
| 2009 | 978-0-240-52164-0 | MARTIN EDGE | The Underwater Photographer |
| 2010 | 978-0-240-52165-7 | Ken McMahon | Paint Shop Pro Photo XX for Photographers |
| '' | 978-0-240-52168-8 | Michael Langford | Langford's Basic Photography |
| 2009 | 978-0-240-52170-1 | 3DTotal.com | Digital Art Masters: 4 |
| 2009 | 978-0-240-52174-9 | 3DTotal.com | Digital Painting Techniques: Masters Collection: Volume 1 |
| '' | 978-0-240-52183-1 | Mark Galer | Adobe Photoshop Elements 8: Maximum Performance |
| '' | 978-0-240-52185-5 | Karel Reisz · GAVIN MILLAR | Technique of Film Editing, Reissue of 2nd Edition |
| '' | 978-0-240-52187-9 | David Asch | How to Cheat in Photoshop Elements 8 |
| 2010 | 978-0-240-52191-6 | Efthimia Bilissi | Langford's Advanced Photography |
| 1989 | 978-0-240-80033-2 | John Williams | Image Clarity: High Resolution Photography |
| 1996 | 978-0-240-80042-4 | Douglas Hart | Camera Assistant, The: A Complete Professional Handbook |
| 1991 | 978-0-240-80047-9 | Robert J. Hirsch | Photographic Possibilities: The Expressive Use of Ideas, Materials and Processes |
| 1990 | 978-0-240-80055-4 | Norman Breslow | Basic Digital Photography |
| 1994 | 978-0-240-80058-5 | Blain Brown | The Filmmakers Pocket Reference |
| 1993 | 978-0-240-80059-2 | Leslie Stroebel · Richard D. Zakia | Focal Encyclopedia of Photography |
| 1991 | 978-0-240-80073-8 | David Scopick | The Gum Bichromate Book: Non-silver Methods for Photographic Printmaking |
| 1994 | 978-0-240-80080-6 | SYLVIA E CARLSON · VERNE CARLSON | Professional Cameraman's Handbook, The |
| 1991 | 978-0-240-80095-0 | Kenneth Portnoy | Screen Adaptation: A Scriptwriting Handbook |
| '' | 978-0-240-80099-8 | Vincent Kehoe | Special Make-Up Effects |
| 1992 | 978-0-240-80108-7 | Robert McCarthy | Secrets of Hollywood Special Effects |
| 1993 | 978-0-240-80150-6 | David E. Elkins | Camera Terms and Concepts (Focal Handbook) |
| 1993 | 978-0-240-80161-2 | Harry C. Box | Set Lighting Technician's Handbook: Film Lighting Equipment, Practice and Electrical Distribution |
| 1994 | 978-0-240-80168-1 | Gerry Kopelow | Photography and the Performing Arts |
| 1995 | 978-0-240-80188-9 | Peter W. Rea · David K. Irving | Producing and Directing the Short Film and Video |
| 1994 | 978-0-240-80190-2 | Kathleen George | Playwriting: The First Workshop |
| 1993 | 978-0-240-80193-3 | Phil Davis | Beyond the Zone System |
| 1995 | 978-0-240-80194-0 | Richard A. Blum | Television and Screenwriting: From Concept to Contract |
| 1997 | 978-0-240-80203-9 | Carson Graves | Zone System for 35mm Photographers, The: A Basic Guide to Exposure Control |
| 1995 | 978-0-240-80215-2 | Richard H. Kallenberger · George D. Cvjetnicanin | Film into Video: A Guide to Merging the Technologies |
| '' | 978-0-240-80217-6 | Vincent Kehoe | The Technique of the Professional Make-Up Artist |
| '' | 978-0-240-80218-3 | Ken Dancyger · Jeff Rush | Alternative Scriptwriting: Writing Beyond the Rules |
| 1996 | 978-0-240-80219-0 | Thomas A. Ohanian · Michael E. Phillips | Digital Filmmaking: The Changing Art and Craft of Making Motion Pictures |
| 1998 | 978-0-240-80225-1 | Thomas Ohanian | Digital Nonlinear Editing: Editing Film and Video on the Desktop |
| 1996 | 978-0-240-80234-3 | Eric Norberg | Radio Programming: Tactics and Strategy (Broadcasting & Cable) |
| 1997 | 978-0-240-80235-0 | John Vasey | Concert Tour Production Management |
| 1995 | 978-0-240-80249-7 | Blain Brown | Motion Picture and Video Lighting |
| 1997 | 978-0-240-80254-1 | Dale Cressman · Irving Fang PhD | A History of Mass Communication: Six Information Revolutions |
| '' | 978-0-240-80259-6 | Steve Anchell | Variable Contrast Printing Manual, The |
| 1998 | 978-0-240-80260-2 | Joe DeMaio · Roberta Worth · Dennis Curtin | The New Darkroom Handbook |
| 1996 | 978-0-240-80265-7 | Clay Gordon · REBO Studio | Guide to High Definition Video Production: Preparing for a Widescreen World |
| '' | 978-0-240-80267-1 | David W. Samuelson | Panaflex User's Manual |
| 1997 | 978-0-240-80270-1 | Michael Rabiger | Directing the Documentary |
| 1999 | 978-0-240-80275-6 | Fil Hunter · Paul Fuqua | Light-Science and Magic: an Introduction to Photographic Lighting |
| 1999 | 978-0-240-80277-0 | Steve Anchell · Bill Troop | The Film Developing Cookbook: Vol 2 (Darkroom Cookbook) |
| 1998 | 978-0-240-80282-4 | Steven E. Browne | Nonlinear Editing Basics: A Primer on Electronic Film and Video Editing |
| 1997 | 978-0-240-80285-5 | Norman J. Medoff · Tom Tanquary | Portable Video: ENG and EFP |
| 1999 | 978-0-240-80288-6 | David Yewdall | Practical Art of Motion Picture Sound |
| 1998 | 978-0-240-80290-9 | Roger Hall | Writing Your First Play |
| '' | 978-0-240-80293-0 | James Moody | Concert Lighting: Techniques, Art and Business |
| 1999 | 978-0-240-80294-7 | Pat P Miller | Script Supervising and Film Continuity |
| 1997 | 978-0-240-80295-4 | ANDREW F INGLIS · Arch Luther | Satellite Technology: An Introduction |
| '' | 978-0-240-80299-2 | Ctein | Post-exposure: Advanced Techniques for the Photographic Printer |
| 1998 | 978-0-240-80301-2 | Ian Bernard | Film and Television Acting: From stage to screen |
| 1986 | 978-0-240-80305-0 | Carolyn Davis · Don Davis | Sound System Engineering |
| 1998 | 978-0-240-80309-8 | Pauline B Rogers | Contemporary Cinematographers on Their Art |
| '' | 978-0-240-80310-4 | Christopher H. Sterling | Focal Encyclopedia of Electronic Media: CD-Rom (Network Version up to 10) |
| 2001 | 978-0-240-80312-8 | Carson Graves | Elements of Black and White Printing |