| year of publication | ISBN | author(s) | title |
| 1962 | 978-0-240-44722-3 | Gerald Reynolds Sharp | Bolex 8mm. Guide (Camera Gdes.) |
| 1982 | 978-0-240-50657-9 | Ernest Walter | The Technique of the Film Cutting Room (Library of Communication Techniques) |
| 1972 | 978-0-240-50766-8 | Freddie Young · Paul Petzold | Work of the Motion Picture Cameraman (Library of Film & TV Practice) |
| 1975 | 978-0-240-50781-1 | R.M. Schaffert | Electrophotography (The Focal library) |
| 1973 | 978-0-240-50845-0 | Elliott R Sanger | Rebel in Radio: Story of the "New York Times" Commercial Radio Station |
| 1974 | 978-0-240-50846-7 | Karel Reisz · Gavin Millar | The Technique of Film Editing (Library of Communication Techniques) |
| 1976 | 978-0-240-50903-7 | Michael Langford | Starting Photography |
| 1977 | 978-0-240-50945-7 | G.G. Attridge · H.J. Walls | Basic Photo Science: How Photography Works (The manual of photo-technique) |
| 1982 | 978-0-240-51061-3 | Jack H. Coote | Monochrome Darkroom Practice: A Manual of Black and White Processing and Printing |
| 1984 | 978-0-240-51143-6 | Clyde Reynolds | Camera Movements |
| 1983 | 978-0-240-51225-9 | Gerald Millerson | Video Camera Techniques (Media Manuals) |
| 1988 | 978-0-240-51226-6 | Sidney F. Ray | Applied Photographic Optics: Imaging Systems for Photography, Film and Video |
| 1985 | 978-0-240-51234-1 | Raymond Fielding | Techniques of Special Effects of Cinematography (Library of Communication Techniques) |
| 1986 | 978-0-240-51257-0 | Michael Langford | Basic Photography |
| 1988 | 978-0-240-51268-6 | Ralph Eric Jacobson · etc. · Sidney F. Ray · Geoffrey G. Attridge | The Manual of Photography |
| '' | 978-0-240-51270-9 | John Watkinson | The Art of Digital Audio |
| 1991 | 978-0-240-51303-4 | Gerald Millerson C.Eng MIEE MSMPTE | Lighting for Video (Media Manuals) |
| 1990 | 978-0-240-51310-2 | Harold Whitaker · John Halas | Timing for Animation |
| 1993 | 978-0-240-51320-1 | John Watkinson | The Art of Digital Audio |
| 1999 | 978-0-240-51323-2 | Sidney Ray BSc MSc ASIS HonFBIPP FMPA HonFRPS | Scientific Photography and Applied Imaging |
| 1994 | 978-0-240-51324-9 | Gerald Millerson C.Eng MIEE MSMPTE | Effective TV Production (Media Manuals) |
| 1993 | 978-0-240-51326-3 | Douglas Merritt | Graphic Design for TV |
| 1992 | 978-0-240-51335-5 | W. Wharton · etc. · Shaun Metcalf · Geoff Platts | Broadcast Transmission Engineering Practice |
| 1993 | 978-0-240-51340-9 | Roy Thompson | Grammar of the Edit (Media Manuals) |
| 1994 | 978-0-240-51343-0 | Steven Bernstein | Film Production |
| 1993 | 978-0-240-51348-5 | Michael Langford | Starting Photography |
| 1996 | 978-0-240-51368-3 | Jack H. Coote | Ilford Monochrome Darkroom Practice: A Manual of Black and White Processing and Printing |
| 1994 | 978-0-240-51371-3 | John Borwick | Loudspeaker and Headphone Handbook |
| '' | 978-0-240-51376-8 | Gerald Millerson C.Eng MIEE MSMPTE | Video Camera Techniques (Media Manuals) |
| '' | 978-0-240-51378-2 | John Watkinson | An Introduction to Digital Audio (Music Technology) |
| '' | 978-0-240-51395-9 | Alec Nisbett | The Sound Studio |
| 1995 | 978-0-240-51396-6 | Francis Rumsey · John Watkinson | Digital Interface Handbook (Music Technology) |
| 1998 | 978-0-240-51398-0 | Roy Thompson | Grammar of the Shot (Media Manuals) |
| 1995 | 978-0-240-51407-9 | Philip Richard Newell | Studio Monitoring Design: A Personal View |
| 1996 | 978-0-240-51411-6 | John Watkinson | Television Fundamentals |
| 1996 | 978-0-240-51428-4 | David M. Howard · J.A.S. Angus | Acoustics and Psychoacoustics (Music Technology) |
| '' | 978-0-240-51429-1 | Martin Russ | Sound Synthesis and Sampling (Music Technology) |
| 1974 | 978-0-240-51437-6 | Karl Reisz · GAVIN MILLAR | Technique of Film Editing |
| 1996 | 978-0-240-51459-8 | F W HODGSON | Modern Newspaper Practice: A primer on the press (Focal Press Journalism) |
| '' | 978-0-240-51471-0 | Brendan Hennessy | Writing Feature Articles: A Practical Guide to Methods and Markets (Focal Press Journalism) |
| 1997 | 978-0-240-51472-7 | Paul Kriwaczek | Documentary for the Small Screen |
| 1996 | 978-0-240-51474-1 | BERNARD WILKIE | Creating Special Effects for TV and Video (Media Manuals) |
| 1998 | 978-0-240-51480-2 | David Samuelson | Hands-on Manual for Cinematographers |
| '' | 978-0-240-51483-3 | Michael Langford | Story of Photography |
| 1997 | 978-0-240-51484-0 | '' | Starting Photography |
| '' | 978-0-240-51485-7 | '' | Basic Photography |
| 1998 | 978-0-240-51486-4 | '' | Advanced Photography |
| 1997 | 978-0-240-51487-1 | Francis Rumsey · Tim McCormick | Sound and Recording: An Introduction (Music Technology) |
| 1999 | 978-0-240-51492-5 | Gerald Millerson C.Eng MIEE MSMPTE | Television Production |
| 1999 | 978-0-240-51506-9 | Ross Kirk · Andy Hunt | Digital Sound Processing for Music and Multimedia (Music Technology) |
| 1998 | 978-0-240-51507-6 | Philip Richard Newell | Recording Spaces |
| 2001 | 978-0-240-51509-0 | John Watkinson | Convergence in Broadcast and Communications Media |
| 1997 | 978-0-240-51511-3 | DAVID SPARK · Geoffrey Harris | Practical Newspaper Reporting (Journalism Media Manual) |
| 1998 | 978-0-240-51512-0 | John Watkinson | The Art of Sound Reproduction |
| '' | 978-0-240-51514-4 | Roger Hicks · Frances Schultz | Travel Photography |
| '' | 978-0-240-51517-5 | Eduardo Miranda | Computer Sound Synthesis for the Electronic Musician |
| '' | 978-0-240-51519-9 | Martin Evening | Adobe Photoshop for Photographers |
| 1999 | 978-0-240-51524-3 | Colin Hart | Television Program Making: Everything you need to know to get started |
| 1998 | 978-0-240-51525-0 | Rod Fairweather | Basic Studio Directing (Media Manuals) |
| 1999 | 978-0-240-51528-1 | Michael Talbot-Smith | The Audio Engineer's Reference Book |
| '' | 978-0-240-51529-8 | Steve Heath | Multimedia and Communications Technology |
| 2000 | 978-0-240-51531-1 | Robin Small | Production Safety for Film, Television and Video |
| 1998 | 978-0-240-51532-8 | Michael G. Harris | Professional Architectural Photography (Professional Photography) |
| 2002 | 978-0-240-51540-3 | Sidney Ray BSc MSc ASIS HonFBIPP FMPA HonFRPS | Applied Photographic Optics: Lenses and Optical Systems for Photography, Film, Video and Digital Imaging |
| 1999 | 978-0-240-51543-4 | DAVID SPARK | Investigative Reporting: A study in technique (Journalism Media Manual,) |
| 1998 | 978-0-240-51547-2 | Linda Gage | A Guide to Commercial Radio Journalism |
| 1999 | 978-0-240-51548-9 | Mark Galer | Location Photography: Essential Skills |
| 1999 | 978-0-240-51549-6 | John Child · Mark Galer | Photographic Lighting: Essential Skills |
| '' | 978-0-240-51553-3 | RICHARD GATES | Production Management for Film and Video |
| '' | 978-0-240-51554-0 | Robert McLeish | Radio Production: A Manual for Broadcasters |
| '' | 978-0-240-51555-7 | Paul Wheeler | Practical Cinematography |
| 2000 | 978-0-240-51557-1 | PETER WARD · Alan Bermingham · Chris Wherry | Multiskilling for Television Production |
| 1999 | 978-0-240-51559-5 | Des Lyver · GRAHAM SWAINSON | Basics of Video Lighting (Basics series) |
| 2003 | 978-0-240-51566-3 | Robert Simpson | Lighting Control: Technology and Applications |
| 2001 | 978-0-240-51567-0 | Eduardo Miranda | Composing Music with Computers (Music Technology) |
| 2000 | 978-0-240-51568-7 | PETER WARD | TV Technical Operations: An introduction (Media Manuals) |
| '' | 978-0-240-51571-7 | Andrew Boyd | Broadcast Journalism: Techniques of Radio and TV News |
| 1999 | 978-0-240-51572-4 | Michael Talbot-Smith | Sound Assistance |
| 1999 | 978-0-240-51573-1 | PHILIP NEWELL | Project Studios: A more professional approach |
| 2000 | 978-0-240-51574-8 | Ralph Jacobson PhD ASIS FRIC FBIPP CChem · Sidney Ray BSc MSc ASIS HonFBIPP FMPA HonFRPS · Geoffrey G Attridge Bsc PhD ASIS FRPS · Norman Axford BSc | Manual of Photography (Media Manual) |
| 1999 | 978-0-240-51576-2 | Richard Taylor | The Encyclopedia of Animation Techniques |
| '' | 978-0-240-51577-9 | Robert Charles Alexander | The Inventor of Stereo: The life and works of Alan Dower Blumlein |
| 2001 | 978-0-240-51578-6 | John Borwick | Loudspeaker and Headphone Handbook |
| 1999 | 978-0-240-51581-6 | Martin Edge | Underwater Photographer |
| '' | 978-0-240-51582-3 | Gerald Millerson C.Eng MIEE MSMPTE | Lighting for TV and Film |
| '' | 978-0-240-51583-0 | Philip Alberstat | Independent Producers' Guide to Film and TV Contracts |
| 2000 | 978-0-240-51586-1 | John Watkinson | Art of Digital Video |
| '' | 978-0-240-51587-8 | '' | Art of Digital Audio |
| 2000 | 978-0-240-51588-5 | A. R. Bailey | Network Technology for Digital Audio (Music Technology) |
| 2002 | 978-0-240-51590-8 | Adrian Davies · Phil Fennessy | Digital Imaging for Photographers |
| 2000 | 978-0-240-51591-5 | Martin Evening | Adobe Photoshop 5.5 for Photographers: A Professional Image Editor's Guide to the Creative Use of Photoshop for the Macintosh and PC |
| '' | 978-0-240-51592-2 | Michael Langford | Basic Photography |
| '' | 978-0-240-51595-3 | David Mellor | Sound Person's Guide to Video |
| '' | 978-0-240-51596-0 | Roger Derry | PC Audio Editing: From Broadcasting to Home CD |
| 2001 | 978-0-240-51597-7 | Gerald Millerson C.Eng MIEE MSMPTE | Video Production Handbook |
| 2006 | 978-0-240-51598-4 | David W. Samuelson | Hands-on Manual of Camera Data |
| 2001 | 978-0-240-51599-1 | Tom Nicholls · Ron Southwell · William Houseley | Managing in the Media |
| 2000 | 978-0-240-51600-4 | Mark Galer | Photography: Foundations for Art and Design - A Guide to Creative Photography |
| '' | 978-0-240-51601-1 | Ian Lewis | Guerrilla TV: a Guide to Low Budget Program Making: Low Budget Programme Making |
| 2000 | 978-0-240-51605-9 | PETER WARD | Digital Video Camerawork (Media Manuals) |
| '' | 978-0-240-51609-7 | David M. Howard · J.A.S. Angus | Acoustics and Psychoacoustics (Music Technology) |
| 2002 | 978-0-240-51610-3 | Mike Ward | Journalism Online |
| 2000 | 978-0-240-51612-7 | Michael Talbot-Smith | Sound Engineer's Pocket Book |
| '' | 978-0-240-51613-4 | Avril Rowlands | Continuity Supervisor (Media Manuals) |
| 2001 | 978-0-240-51614-1 | Paul Wheeler | Digital Cinematography |
| 2000 | 978-0-240-51616-5 | Joanne Zorian-Lynn | TV Presentation |
| 2001 | 978-0-240-51622-6 | Angie Taylor | Creative After Effects 5.0: Animation, visual effects and motion graphics production for TV and video |
| '' | 978-0-240-51623-3 | Francis Rumsey | Spatial Audio (Music Technology) |
| 2000 | 978-0-240-51627-1 | Philip Richard Newell | Recording Spaces |
| 2001 | 978-0-240-51628-8 | Robert Alexander | The Inventor of Stereo: The Life and Works of Alan Dower Blumlein |
| 2002 | 978-0-240-51629-5 | Tom Crone · Philip Alberstat · Tom Cassels · Estelle Overs | Law and the Media |
| 2000 | 978-0-240-51633-2 | Martin Evening | Adobe Photoshop 6.0 for Photographers: A professional image editor's guide to the creative use of Photoshop for the Mac and PC |
| 2003 | 978-0-240-51634-9 | Richard Rudin · Trevor Ibbotson | Introduction to Journalism: Essential techniques and background knowledge: Essential Techniques and Background Knowledge |
| 2001 | 978-0-240-51635-6 | Chris Priestman | Web Radio: Radio Production for Internet Streaming |
| '' | 978-0-240-51636-3 | Elliot Grove | Raindance Writers' Lab: Write and Sell the Hot Screenplay |
| 2001 | 978-0-240-51639-4 | Stephen Quinn | Digital Sub-editing and Design (Focal Journalism) |
| 2002 | 978-0-240-51643-1 | John Watkinson | Introduction to Digital Audio |
| '' | 978-0-240-51644-8 | Tony Grant | Audio for Single Camera Operation (Media Manuals) |
| 2001 | 978-0-240-51648-6 | Kathy Chater | Research for Media Production (Media Manuals) |
| '' | 978-0-240-51649-3 | PETER WARD | Studio and Outside Broadcast Camerawork (Media Manuals) |
| '' | 978-0-240-51650-9 | Dominic Case | Film Technology in Post Production (Media Manuals) |
| '' | 978-0-240-51651-6 | BRIAN FITT · JOE THORNLEY | Lighting Technology: A Guide for the Entertainment Industry |
| 2005 | 978-0-240-51652-3 | Ashley la Grange | Basic Critical Theory for Photographers |
| 2001 | 978-0-240-51654-7 | Jan Maes · Marc Vercammen | Digital Audio Technology: A Guide to CD, MiniDisc, SACD, DVD(A), MP3 and DAT |
| 2001 | 978-0-240-51656-1 | John Watkinson | The MPEG Handbook: MPEG-1, MPEG-2, MPEG-4 |
| 2004 | 978-0-240-51657-8 | Russell Evans | Practical DV Filmmaking |
| 2003 | 978-0-240-51659-2 | Susannah Shaw | Stop Motion: Craft Skills for Model Animation (Focal Press Visual Effects and Animation) |
| '' | 978-0-240-51660-8 | Jan Musgrove | Make-Up, Hair and Costume for Film and Television (Media Manuals) |
| 2004 | 978-0-240-51661-5 | Philip Alberstat | The Insider's Guide to Film Finance |
| 2003 | 978-0-240-51662-2 | Jonathan Higgins | Introduction to SNG and ENG Microwave (Media Manuals) |
| 2001 | 978-0-240-51664-6 | Nik Lever | Real-time 3D Character Animation with Visual C++ |
| 2005 | 978-0-240-51665-3 | Steve Roberts | Character Animation in 3D: Use Traditional Drawing Techniques to Produce Stunning CGI Animation (Focal Press Visual Effects and Animation) |
| 2004 | 978-0-240-51666-0 | Chris Webster | Animation: The Mechanics of Motion (Focal Press Visual Effects and Animation) |
| 2001 | 978-0-240-51667-7 | Michael Talbot-Smith | Sound Engineering Explained |
| '' | 978-0-240-51668-4 | John Child | Studio Photography: Essential Skills (Photography Essential Skills) |
| 2002 | 978-0-240-51669-1 | Mark Galer | Location Photography: Essential Skills |
| '' | 978-0-240-51670-7 | John Child · Mark Galer | Photographic Lighting: Essential Skills (Photography Essential Skills) |
| '' | 978-0-240-51671-4 | Marcia Kuperberg | Guide to Computer Animation: for tv, games, multimedia and web (Focal Press Visual Effects and Animation) |
| 2001 | 978-0-240-51672-1 | Michael Harris | Professional Architectural Photography, 3rd Edition (Professional Photography Series) |
| 2004 | 978-0-240-51675-2 | Mitch Mitchell | Visual Effects for Film and Television (Media Manuals) |
| 2003 | 978-0-240-51676-9 | Paul Wheeler | High Definition and 24P Cinematography |
| 2001 | 978-0-240-51678-3 | Roger Shufflebottom | Video Editing with Avid: Media Composer, Symphony, Xpress |
| 2003 | 978-0-240-51679-0 | Mark Gawlinski | Interactive Television Production |
| 2002 | 978-0-240-51680-6 | Francis Rumsey · Tim McCormick | Sound and Recording: An Introduction (Music Technology) |
| 2002 | 978-0-240-51681-3 | PETER WARD | Picture Composition |
| 2005 | 978-0-240-51684-4 | Roger Crittenden | Fine Cuts: The Art of European Film Editing |
| 2001 | 978-0-240-51685-1 | Michael Talbot-Smith | Audio Engineer's Reference Book |
| '' | 978-0-240-51686-8 | Philip Andrews | Adobe Photoshop Elements: A Visual Introduction to Digital Imaging |
| 2005 | 978-0-240-51688-2 | Maxine Baker | Documentary in the Digital Age |
| 2002 | 978-0-240-51689-9 | Darren Brooker | Essential CG Lighting Techniques (Focal Press Visual Effects and Animation) |
| '' | 978-0-240-51690-5 | Martin Evening | Adobe Photoshop 7.0 for Photographers: A Professional Image Editor's Guide to the Creative Use of Photoshop for the Macintosh and PC |
| 2005 | 978-0-240-51691-2 | Brendan Hennessy A graduate of Edinburgh University. | Writing Feature Articles |
| 2004 | 978-0-240-51692-9 | Martin Russ | Sound Synthesis and Sampling (Music Technology) |
| 2002 | 978-0-240-51693-6 | Eduardo Miranda | Computer Sound Design: Synthesis techniques and programming (Music Technology) |
| 2004 | 978-0-240-51694-3 | David Austerberry | The Technology of Video and Audio Streaming |
| 2002 | 978-0-240-51695-0 | Herve Benoit | Digital Television: MPEG-1, MPEG-2 and Principles of the DVB System |
| '' | 978-0-240-51697-4 | Roger Derry | PC Audio Editing: For Broadcast, Desktop and CD Audio Production |
| 2003 | 978-0-240-51698-1 | Robin Nichols | Paint Shop Pro 8: The Guide to Creating Professional Images |
| 2004 | 978-0-240-51699-8 | Elliot Grove | Raindance Producers' Lab Lo-To-No Budget Filmmaking |
| 2002 | 978-0-240-51702-5 | Steve Caplin | How to Cheat in Photoshop: Creating Photorealistic Montages - The Art of Creating Photorealistic Montages |
| 2003 | 978-0-240-51706-3 | Mike Collins | A Professional Guide to Audio Plug-ins and Virtual Instruments |
| 1986 | 978-0-240-51711-7 | Leslie Stroebel | View Camera Technique |
| 2002 | 978-0-240-51714-8 | Harold Whitaker · John Halas | Timing for Animation |
| 1985 | 978-0-240-51721-6 | Verne Carlson · Sylvia E. Carlson | Professional Lighting Handbook |
| 1986 | 978-0-240-51730-8 | Alfred A. Blaker | Applied Depth of Field |
| 1984 | 978-0-240-51738-4 | EDWARD DMYTRYK | On Film Editing |
| 1986 | 978-0-240-51747-6 | Michael C. Keith · Joseph M. Krause | The Radio Station |
| 1990 | 978-0-240-51796-4 | Fil Hunter · Paul Fuqua | Light: Science and Magic |
| 1989 | 978-0-240-51799-5 | Arthur Schneider | Electronic Post-production and Videotape Editing |
| 2002 | 978-0-240-51902-9 | Michael G. Harris | Professional Interior Photography (Professional Photography) |
| '' | 978-0-240-51903-6 | Nik Lever | Flash MX Games: Art to ActionScript |
| 2002 | 978-0-240-51905-0 | Alex Michael | Animating with Flash MX: Professional Creative Animation Techniques |
| 2003 | 978-0-240-51906-7 | Janet Trewin | Presenting on TV and Radio: An insider's guide |
| 2006 | 978-0-240-51907-4 | Angie Taylor | Creative After Effects 7 |
| 2004 | 978-0-240-51908-1 | EPJ Tozer | Broadcast Engineer's Reference Book |
| 2003 | 978-0-240-51909-8 | John Watkinson · Francis Rumsey | Digital Interface Handbook |
| 2006 | 978-0-240-51910-4 | Carol MacGillivray · Anthony Head | 3D for the Web: Interactive 3D animation using 3ds max, Flash and Director (Focal Press Visual Effects and Animation) |
| 2003 | 978-0-240-51911-1 | Alec Nisbett | The Sound Studio: Audio Techniques for Radio, Television, Film and Recording |
| 2002 | 978-0-240-51912-8 | Peter Bargh | Photoshop 7.0 A-Z: The Essential Visual Reference Guide |
| '' | 978-0-240-51913-5 | Les Horvat · Mark Galer | Digital Imaging: Essential Skills |
| 2006 | 978-0-240-51914-2 | Duncan | High Performance PA and Concert Sound Systems |
| 2004 | 978-0-240-51915-9 | Rick Snoman | The Dance Music Manual: Tools, Toys and Techniques |
| 2003 | 978-0-240-51917-3 | PHILIP NEWELL | Recording Studio Design |
| '' | 978-0-240-51918-0 | Philip Andrews | Adobe Photoshop Elements 2.0: A Visual Introduction to Digital Imaging |
| '' | 978-0-240-51919-7 | Francis Rumsey | Desktop Audio Technology: Digital audio and MIDI principles (Music Technology) |
| 2002 | 978-0-240-51920-3 | Rick Young | Easy Guide to Final Cut Pro 3 |
| 2004 | 978-0-240-51921-0 | Mike Collins | Choosing and Using Audio and Music Software: A Guide to the Major Software Applications for Mac and PC |
| '' | 978-0-240-51924-1 | David Austerberry | Digital Asset Management |
| 2003 | 978-0-240-51925-8 | Rick Young | Focal Easy Guide to Final Cut Pro 4: For New Users and Professionals |
| 2003 | 978-0-240-51926-5 | Paul Chantler · Peter Stewart | Basic Radio Journalism |
| 2007 | 978-0-240-51928-9 | Valerie Geller | Creating Powerful Radio: Getting, Keeping and Growing Audiences News, Talk, Information & Personality Broadcast, HD, Satellite & Internet: Getting, ... Broadcast, HD, Satellite and Internet |
| 2003 | 978-0-240-51929-6 | B L Render | Secrets of Figure Creation with Poser 5 |
| '' | 978-0-240-51931-9 | Alex Michael | Understanding Flash MX 2004 ActionScript 2: Basic techniques for creatives |
| 2004 | 978-0-240-51934-0 | Rick Young | Focal Easy Guide to DVD Studio Pro 3: For New Users and Professionals (Focal Easy Guide Series) (The Focal Easy Guide) |
| '' | 978-0-240-51935-7 | Saty Raghavachary | Rendering for Beginners: Image synthesis using RenderMan |
| 2003 | 978-0-240-51937-1 | Alan Bermingham | Location Lighting for Television |
| 2004 | 978-0-240-51939-5 | Jenni Mills | The Broadcast Voice |
| '' | 978-0-240-51940-1 | Philip Andrews | Advanced Photoshop Elements for Digital Photographers |
| '' | 978-0-240-51941-8 | Martin D. Wilde | Audio Programming for Interactive Games |
| 2004 | 978-0-240-51942-5 | Martin Evening | Adobe Photoshop CS for Photographers: Professional Image Editor's Guide to the Creative Use of Photoshop for the Mac and PC |