| year of publication | ISBN | author(s) | title |
| 2006 | 978-0-240-80830-7 | Don Davis · Eugene Patronis | Sound System Engineering |
| '' | 978-0-240-80831-4 | Lionel Felix · Damien Stolarz | Hands-On Guide to Video Blogging and Podcasting: Emerging Media Tools for Business Communication (Hands-On Guide Series) |
| 2007 | 978-0-240-80834-5 | Matt Hanson | Reinventing Music Video-Next Generation |
| 2006 | 978-0-240-80835-2 | Darren Roberts | Hands-On Guide to Flash Communication Server (Hands-on Guide) |
| 2007 | 978-0-240-80837-6 | Bob Katz | Mastering Audio: The Art and the Science |
| 2006 | 978-0-240-80838-3 | Joe Farace | Getting Started with Digital Imaging: Tips, tools and techniques for photographers |
| 2007 | 978-0-240-80839-0 | Steven E. Browne | High Definition Postproduction: Editing and Delivering HD Video |
| 2006 | 978-0-240-80840-6 | Michelle Bates | Plastic Cameras: Toying with Creativity |
| 2007 | 978-0-240-80841-3 | Kenneth Creech | Electronic Media Law and Regulation |
| '' | 978-0-240-80842-0 | Thomas A. Crowell | The Pocket Lawyer for Filmmakers: A Legal Toolkit for Independent Producers |
| 2006 | 978-0-240-80845-1 | Mike Mattesi | Force: Dynamic Life Drawing for Animators |
| '' | 978-0-240-80846-8 | Richard Rickitt | Designing Movie Creatures and Characters: Behind the Scenes with the Movie Masters |
| 2007 | 978-0-240-80847-5 | John A. Luff | Centralized Broadcast Operations (Focal Press Media Technology Professional) |
| '' | 978-0-240-80848-2 | Rich Underwood | Roll! Shooting TV News: Views from Behind the Lens |
| 2006 | 978-0-240-80849-9 | Ken Dancyger · Jeff Rush | Alternative Scriptwriting: Successfully Breaking the Rules |
| 2007 | 978-0-240-80852-9 | PhD, Robert B. Musburger | An Introduction to Writing for Electronic Media: Scriptwriting Essentials Across the Genres |
| 2007 | 978-0-240-80853-6 | Huaixiang | Costume Craftwork on a Budget: Clothing, 3-D Makeup, Wigs, Millinery and Accessories |
| 2006 | 978-0-240-80854-3 | Brad Hinkel · Ron Reeder | Digital Negatives: Using Photoshop to Create Digital Negatives for Silver and Alternative Process Printing |
| 2007 | 978-0-240-80855-0 | Robert Hirsch | Light and Lens: Photography in the Digital Age |
| '' | 978-0-240-80856-7 | John Gerlach · Barbara Gerlach | Digital Nature Photography: The Art and the Science |
| 2006 | 978-0-240-80858-1 | Autodesk | 3ds Max 8 MAXScript Essentials |
| 2007 | 978-0-240-80862-8 | Craig Zerouni | Houdini on the Spot: Power User Tips and Techniques (On The Spot {Series}) |
| 2006 | 978-0-240-80863-5 | Joe Follansbee | Hands-On Guide to Streaming Media: an Introduction to Delivering On-Demand Media: An Introduction to Delivering On-Demand Media (Hands-On Guide Series) |
| '' | 978-0-240-80864-2 | Shelly Palmer | Television Disrupted: The Transition from Network to Networked TV |
| 2007 | 978-0-240-80865-9 | David Lewis Yewdall | The Practical Art of Motion Picture Sound 3E |
| 2006 | 978-0-240-80866-6 | Babak Ebrahimian | Sculpting Space in the Theater: Conversations with the Top Set, Light and Costume Designers |
| '' | 978-0-240-80868-0 | David Austerberry | Digital Asset Management |
| '' | 978-0-240-80872-7 | Peter Pringle · Michael F Starr | Electronic Media Management, Revised |
| 2006 | 978-0-240-80874-1 | Glenn Kennel | Color and Mastering for Digital Cinema: A Digital Cinema Industry Handbook (Digital Cinema Industry Handbook Series) |
| 2007 | 978-0-240-80875-8 | Sheila Curran Bernard | Documentary Storytelling: Making Stronger and More Dramatic Nonfiction Films |
| '' | 978-0-240-80876-5 | Martie Cook | Write to TV: Out of Your Head and onto the Screen: Out of Your Head and Onto the Screen |
| 2006 | 978-0-240-80878-9 | Jim Ver Hague · Chris Jackson | Flash 3D: Animation, Interactivity, and Games |
| '' | 978-0-240-80881-9 | August E. Grant · Jennifer H. Meadows | Communication Technology Update, 10/e |
| 2007 | 978-0-240-80882-6 | Michael Rabiger | Directing: Film Techniques and Aesthetics |
| 2006 | 978-0-240-80888-8 | Chuck Gloman · Mark J. Pescatore | Working with HDV: Shoot, Edit, and Deliver Your High Definition Video |
| 2007 | 978-0-240-80890-1 | Damien Lovegrove | The Complete Guide to Professional Wedding Photography: Creating a More Profitable and Fulfilling Business |
| '' | 978-0-240-80891-8 | Bruce Bartlett · Jenny Bartlett | Recording Music on Location: Capturing the Live Performance |
| 2006 | 978-0-240-80892-5 | James Alburger | The Art of Voice Acting: The Craft and Business of Performing for Voice-Over |
| 2007 | 978-0-240-80893-2 | Joep van der Steen | Rendering with Mental Ray and 3ds Max |
| 2006 | 978-0-240-80894-9 | Christopher Grey | Photoshop Effects for Portrait Photographers |
| 2008 | 978-0-240-80896-3 | Freer | Microstock Photography: How to Make Money from Your Digital Images |
| 2007 | 978-0-240-80897-0 | Arndt von Koenigsmarck | CINEMA 4D 10 Workshop |
| 2008 | 978-0-240-80901-4 | Leon Silverman | Workflow for Digital Cinema (Digital Cinema Industry Handbook) |
| 2007 | 978-0-240-80904-5 | Philip J. Cianci | HDTV and the Transition to Digital Broadcasting: Understanding New Television Technologies |
| 2006 | 978-0-240-80906-9 | Lars-Ingemar Lundstrom | Understanding Digital Television: An Introduction to DVB Systems with Satellite, Cable, Broadband and Terrestrial TV Distribution |
| 2007 | 978-0-240-80907-6 | Jan Roberts-Breslin | Making Media: Foundations of Sound and Image Production |
| 2006 | 978-0-240-80908-3 | Autodesk | 3ds Max 9 Essentials: Autodesk Media and Entertainment Courseware |
| 2007 | 978-0-240-80910-6 | John Skidgel | Producing Flash CS3 Video: Techniques for Video Pros and Web Designers |
| '' | 978-0-240-80912-0 | Roger Cusson · Jamie Cardoso | Realistic Architectural Visualization with 3ds Max and mental ray |
| 2007 | 978-0-240-80915-1 | Mark Sawicki | Filming the Fantastic: A Guide to Visual Effects Cinematography |
| '' | 978-0-240-80917-5 | Joachim Bernhard Schnier | Flash XML Applications: Use AS2 and AS3 to Create Photo Galleries, Menus, and Databases |
| '' | 978-0-240-80918-2 | John Purcell | Dialogue Editing for Motion Pictures: A Guide to the Invisible Art |
| '' | 978-0-240-80920-5 | Arnaud Frich | Panoramic Photography: From Composition and Exposure to Final Exhibition |
| 2008 | 978-0-240-80921-2 | Perebinossoff | Real-World Media Ethics: Inside the Broadcast and Entertainment Industries |
| 2007 | 978-0-240-80922-9 | Stacey Parks | The Insider's Guide to Independent Film Distribution |
| '' | 978-0-240-80924-3 | Paul Allen | Artist Management for the Music Business |
| 2007 | 978-0-240-80926-7 | Richard Harrington | Photoshop for Video (DV Expert Series) |
| '' | 978-0-240-80929-8 | Jeremy Sutton | Painter X Creativity: Digital Artist's handbook |
| '' | 978-0-240-80930-4 | Richard Zakia | Perception and Imaging: Photography--A Way of Seeing |
| '' | 978-0-240-80932-8 | Autodesk | 3ds Max MAXScript Essentials (Autodesk 3ds Max 9 Maxscript Essentials) (Autodesk 3ds Max 9 Maxscript Essentials) |
| '' | 978-0-240-80933-5 | Marcus Weise · Diana Weynand | How Video Works |
| 2007 | 978-0-240-80934-2 | Michael Freeman | The Photographer's Eye: Composition and Design for Better Digital Photos |
| '' | 978-0-240-80935-9 | Artis | The Shut Up and Shoot Documentary Guide: A Down and Dirty DV Production |
| '' | 978-0-240-80938-0 | Chris & Trish Meyer | After Effects Apprentice (DV Expert Series) |
| 2008 | 978-0-240-80939-7 | Read | Exhibiting Photography: A Practical Guide to Choosing a Space, Displaying Your Work, and Everything in Between |
| '' | 978-0-240-80940-3 | Nicholas Proferes | Film Directing Fundamentals: See Your Film Before Shooting |
| '' | 978-0-240-80941-0 | Davis | The Makeup Artist Handbook: Techniques for Film, Television, Photography, and Theatre |
| 2008 | 978-0-240-80942-7 | Angela Faris Belt | The Elements of Photography: Understanding and Creating Sophisticated Images |
| 2007 | 978-0-240-80945-8 | Tom Wolsky | Final Cut Express HD 3.5 Editing Workshop (DV Expert Series) |
| '' | 978-0-240-80946-5 | Amitabh Kumar | Mobile TV: DVB-H, DMB, 3G Systems and Rich Media Applications |
| '' | 978-0-240-80947-2 | Stefan Richter | Hands-On Guide to Flash Video: Web Video and Flash Media Server (Hands-On Guide Series): Web Video and Flash Media Server (Hands-On Guide Series) |
| '' | 978-0-240-80949-6 | Jason Fincanon | Creating Flash Advertising: From Concept to Tracking-Microsites, Video Ads and More (Hands-On Guide Series) |
| '' | 978-0-240-80953-3 | Anne Powers | CINEMA 4D,: The Artist's Project Sourcebook (Digital Video Expert): The Artist's Project Sourcebook (Digital Media Academy Series) |
| 2007 | 978-0-240-80954-0 | Wes Simpson · Howard Greenfield | IPTV and Internet Video: Expanding the Reach of Television Broadcasting (NAB Executive Technology Briefings): Expanding the Reach of Television Broadcasting (NAB Executive Technology Briefings) |
| '' | 978-0-240-80957-1 | Dan Rayburn | Streaming and Digital Media: Understanding the Business and Technology (NAB Executive Technology Briefings): Understanding the Business and Technology (NAB Executive Technology Briefings) |
| '' | 978-0-240-80960-1 | John Hart | The Art of the Storyboard: A Filmmaker's Introduction |
| 2008 | 978-0-240-80963-2 | Steve Wright | Compositing Visual Effects: Essentials for the Aspiring Artist |
| 2007 | 978-0-240-80967-0 | Michael Geoghegan | Podcast Academy: The Business Podcasting Book: The Business Podcasting Book: Launching, Marketing, and Measuring Your Podcast |
| '' | 978-0-240-80968-7 | Videomaker | The Videomaker Guide to Video Production |
| 2008 | 978-0-240-80974-8 | Fullerton | Game Design Workshop: A Playcentric Approach to Creating Innovative Games (Gama Network Series) |
| '' | 978-0-240-80977-9 | Footen | The Service-Oriented Media Enterprise: SOA, BPM, and Web Services in Professional Media Systems (Focal Press Media Technology Professional) |
| 2007 | 978-0-240-80978-6 | Clinton | Game Character Modeling and Animation with 3ds Max |
| 2007 | 978-0-240-80980-9 | Arndt von Koenigsmarck | Virtual Vixens: 3D Character Modeling and Scene Placement |
| 2008 | 978-0-240-80990-8 | Steve Hullfish | The Art and Technique of Digital Color Correction |
| 2007 | 978-0-240-80998-4 | Michael Peres | The Concise Focal Encyclopedia of Photography: From the First Photo on Paper to the Digital Revolution |
| 2008 | 978-0-240-80999-1 | Joe Farace · Barry Staver | Better Available Light Digital Photography: How to Make the Most of Your Night and Low-Light Shots |
| 2007 | 978-0-240-81005-8 | Jason Osder | Final Cut Pro Workflows: The Independent Studio Handbook |
| 2008 | 978-0-240-81006-5 | Bellingham | Food Styling for Photographers: A Guide to Creating Your Own Appetizing Art |
| 2007 | 978-0-240-81009-6 | Rick Young | The Focal Easy Guide to Final Cut Pro 6 (Focal Easy Guide) |
| '' | 978-0-240-81010-2 | Trish Meyer | Creating Motion Graphics with After Effects: Essential and Advanced Techniques (DV Expert): Essential and Advanced Techniques (DV Expert Series) |
| 2010 | 978-0-240-81012-6 | David Riecks | Digital Photo Management: Using metadata to store, protect and find your images: Using Metadata to Store, Protect and Find Your Images (Digital Workflow): ... and Find Your Images (Digital Workflow) |
| 2008 | 978-0-240-81016-4 | Chris Weston | Nature Photography: Insider Secrets from the Worlds Top Digital Photography Professionals |
| '' | 978-0-240-81021-8 | Jason Tomaric | The Power Filmmaking Kit: Make Your Professional Movie on a Next-to-Nothing Budget |
| '' | 978-0-240-81026-3 | Ernst Wildi | The Hasselblad Manual |
| 2007 | 978-0-240-81027-0 | Philip Andrews | The Complete Raw Workflow Guide: How to get the most from your raw images in Adobe Camera Raw, Lightroom, Photoshop, and Elements |
| 2008 | 978-0-240-81029-4 | Harrington | Producing Video Podcasts: A Guide for Media Professionals |
| '' | 978-0-240-81031-7 | Jackson | Flash + After Effects: Flash Creativity Unleashed |
| 2008 | 978-0-240-81040-9 | Kumar | Mobile Broadcasting with WiMAX: Principles, Technology, and Applications (Focal Press Media Technology Professional Series) |
| '' | 978-0-240-81046-1 | Spotted Eagle | Vegas Pro 8 Editing Workshop (DV Expert Series) |
| '' | 978-0-240-81066-9 | Grey | Canon Digital Rebel XSi/450D (Focal Digital Camera Guides) |
| '' | 978-0-240-81067-6 | Seth Resnick · Jamie Spritzer | The Photoshop Lightroom Workbook: Workflow not Workslow in Lightroom 2: Workflow Not Workslow in Lightroom 2 |
| '' | 978-0-240-81068-3 | Corey Hilz | Nikon D60 (Focal Digital Camera Guides) (Focal Digital Camera Guides) |
| 2008 | 978-0-240-81077-5 | Wolsky | Final Cut Express 4 Editing Workshop |
| '' | 978-0-240-81079-9 | Roland Hess | Animating with Blender: How to Create Short Animations from Start to Finish |
| 2009 | 978-0-240-81095-9 | Patti Russotti | Digital Photographic Workflow Handbook |
| 2008 | 978-0-240-81097-3 | Patrick Sheffield | How to Cheat in Motion |
| '' | 978-0-240-81109-3 | Steve Caplin | Art and Design in Photoshop |
| '' | 978-0-240-81110-9 | Shawn Barnett | Sony A200 (Focal Digital Camera Guides) (Focal Digital Camera Guides) |
| '' | 978-0-240-81121-5 | Ivan P. Kaminow · Tingye Li · Alan E. Willner | Optical Fiber Telecommunications V A & B SET: A-B |
| 2008 | 978-0-240-81142-0 | Richard Earney | Inside Lightroom 2: The serious photographer's guide to Lightroom efficiency: The Serious Photographer's Guide to Lightroom Efficiency |
| '' | 978-0-240-81143-7 | Shawn Barnett | Sony A300/A350: Focal Digital Camera guides: Focal Digital Camera Guides |
| 2009 | 978-0-240-81159-8 | Louis Benjamin | The Naked and the Lens: A Guide to Nude Photography |
| 2008 | 978-0-240-81170-3 | Christopher Grey | Canon EOS Digital Rebel XS/1000D |
| 2006 | 978-0-240-85233-1 | Michael Uva | The Grip Book |